Despite progress, contemporary media still has blind spots:
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To understand where we are, we must look at where we started. In classic Bollywood (1970s-1990s), the father was a monolithic figure. Think of Dilwale Dulhania Le Jayenge (DDLJ): Amrish Puri’s Chaudhary Baldev Singh is the quintessential "strict father." His love for his daughter, Simran, is measured by his fear of her sexuality. The conflict isn’t between father and daughter; it’s between father and the world. Despite progress, contemporary media still has blind spots:
Television was worse. Daily soaps like Kyunki Saas Bhi Kabhi Bahu Thi relegated the father to the background. He was either dead, dying, or a placid face in the family portrait. The daughter was either a victim (Tulsi) or a vamp. Authentic father-daughter banter did not exist in the "saas-bahu" universe. To understand where we are, we must look at where we started
Indian popular media has also absorbed global tropes. The "Cool Dad" from Hollywood (think Interstellar’s Cooper or The Godfather’s Michael Corleone) has been Indianized.
However, the Indian context adds a unique spice: the Ladla Beta vs. Ladli Beti conflict. Many films now explore the father who loves his daughter more than his son (e.g., Jugjugg Jeeyo). Varun Dhawan’s character feels neglected because his father dotes on his sister. This reverse jealousy is fresh, funny, and real.