Bigfoot+e+i+suoi+amici+1987+ita May 2026

Rivedere oggi le puntate di Bigfoot e i suoi amici su YouTube o in streaming scatena due reazioni contrastanti:

Inoltre, la serie faceva parte di quel filone di cartoni incentrati sui "Muscle Machines" e sui mostri guidatori (simile per spirito a Turbo Teen o M.A.S.K.), un genere che mescolava la passione per i fuoristrada modificati con la fantascienza.

Title: Bigfoot e i suoi amici (Bigfoot and the Muscle Machines) Year: 1987 Origin: American/Japanese co-production (ruby-Spears Productions) Format: Originally a 5-part miniseries, often edited into a feature-length film for international markets.

The Premise The story follows a generic intrepid reporter, Yank Justice, and his team of off-road vehicle experts. They team up with a group of scientists and a young woman named Jennifer to protect the legendary creature, Bigfoot, from an evil corporation called "S.H.A.D.E." (Secret Hierarchy Against Dangerous Experiments). The villains want to capture Bigfoot because he holds the secret to a powerful energy source or genetic mutation.

The Vehicles (The Real Stars) If you are watching this, you are likely watching it for the monster trucks. The film serves as a vehicle (pun intended) to showcase the popular monster trucks of the 1980s. The main "characters" are the trucks themselves: bigfoot+e+i+suoi+amici+1987+ita

The Review

1. Animation and Style The animation is typical of Ruby-Spears productions from the late 80s. It has that distinct, slightly grainy Saturday Morning Cartoon look. While not as fluid as Disney or high-budget anime, it gets the job done. The character designs are very 80s—muscular heroes with bandanas and mullets, and villainous henchmen in military fatigues. The background art is actually quite decent, capturing the smoky, arena-like atmosphere of monster truck rallies.

2. Plot and Pacing The plot is thin and serves mostly as an excuse to jump from one car chase to another. The logic is cartoonish (Bigfoot is essentially a pacifist giant who befriends the humans), and the stakes are never truly felt. However, for a children's movie, the pacing moves quickly. There isn't much downtime; if trucks aren't crashing, Bigfoot is growling at bad guys.

3. The "Toy Commercial" Factor Much like G.I. Joe or Transformers, this movie was created to sell toys. The "Power Wheels" style vehicles and action figures were the main objective. Because of this, the vehicles have impossible physics—they jump canyons, flip over, and keep driving. If you are a fan of 80s "toyetic" cartoons, this is a charming aspect. If you are looking for a grounded narrative, this will annoy you. Rivedere oggi le puntate di Bigfoot e i

4. Voice Acting (Italian Context) The Italian dubbing ("ita") was standard for the time. Usually, these productions had energetic voice actors who hammed up the lines. The nostalgia factor for Italian viewers is often high because these films were staples of after-school TV programming and VHS rentals. The localized title Bigfoot e i suoi amici (Bigfoot and his friends) sounds friendly, though the movie features quite a bit of laser shooting and car crashing.

Like many Italian B-movies, Bigfoot e i suoi amici might have faded into obscurity—or become a cult classic on bootleg tapes and niche festivals. Its reappraisal would hinge on:

The film opens with grainy, golden-hour footage of the Pacific Northwest. A title card reads: "Montana, USA. Luogo di segreti." (Montana, USA. Place of secrets.)

Immediately, we are introduced to "E" (played by a child actor who reportedly went on to sell shoes in Verona). E is a mute, precocious boy who communicates only through a handheld Casio keyboard. He has run away from a Catholic orphanage because he claims to hear "the mountain humming." Inoltre, la serie faceva parte di quel filone

Enter Bigfoot. But not the hulking, terrifying Harry of the 70s. No. This Bigfoot is tall, covered in matted yak hair, and wears a single gold earring. He is voiced, in the Italian dub, by a chain-smoking Roman philosopher.

Why? Because Bigfoot is not a monster here. He is depresso.

È importante non confondere questo film con Bigfoot (Il mistero del bigfoot) del 1977 o con Bigfoot Presents: Meteor and the Mighty Monster Trucks. La particolarità di Bigfoot e i suoi amici (1987) è proprio il tono team adventure alla Boscimani, dove il mostro è il padre putativo di un gruppo di cuccioli.

Italy in the 1980s was a global hub for low-budget genre films, including horror, comedy, and science fiction. These movies often blended camp, gore, or absurdity with minimal budgets, creating cult classics. Examples include La Comare Sei Tu (1985) and Demons (1985). A film like Bigfoot e i suoi amici would likely follow this tradition, possibly merging surrealism, parody, and horror-comedy tropes.

Se sei un collezionista, sappi che la caccia è dura. Ecco i canali dove potresti avere fortuna: