E-ISSN:2456-3110

Case Report

Diabetic Ulcer

Bokep Abg Memek Sempit Mulu Milik Bocil Smp Pernah Viral May 2026

2022 Volume 7 Number 9 October
Publisherwww.maharshicharaka.in

To evaluate the role of Lakshadi Avachoornana in the management of Dushta Vrana with special reference to Diabetic Ulcer: A Case Study

C Nair S.1*, M Sweta K.2
DOI:

1* Swathi C Nair, Post Graduate Scholar, Dept. of Shalya Tantra, Sri Sri College of Ayurvedic Science and Research, Bangalore, Karnataka, India.

2 K M Sweta, Professor & HOD, Dept. of Shalya Tantra, Sri Sri College of Ayurvedic Science and Research, Bangalore, Karnataka, India.

The global prevalence of diabetics is estimated to increase from 4.0% in 1995 to 5.5% by the year 2025. The chances of secondary infection are more in diabetics as the immunity of the patients is compromised and needs prolonged hospitalization, psychological and social problem for the patients and family. In Madhumehi the vessels of lower limb become weak and is unable to expel the Doshas (along with other Dushyas) leading to Prameha Pidakas more in lower extremities, which eventually burst open precipitating an ulcer. Avachoornana is one among the Shashti Upakrama, explained by Acharya Sushrutha for management of Vrana. Numerous studies are done in the management of Dushta Vrana with the internal medication and external therapies. Here a preliminary attempt to study the effect of Avachoornana with Lakshadi Choorna in the management of the same was taken for the study.

Keywords: Dushta Vrana, Avachoornana, Diabetic Ulcer, Lakshadi Choorna

Corresponding Author How to Cite this Article To Browse
Swathi C Nair, Post Graduate Scholar, Dept. of Shalya Tantra, Sri Sri College of Ayurvedic Science and Research, Bangalore, Karnataka, India.
Email: Bokep ABG Memek Sempit Mulu Milik Bocil SMP Pernah Viral
Swathi C Nair, K M Sweta, To evaluate the role of Lakshadi Avachoornana in the management of Dushta Vrana with special reference to Diabetic Ulcer: A Case Study. J Ayu Int Med Sci. 2022;7(9):196-205.
Available From
https://www.jaims.in/jaims/article/view/2093
Bokep ABG Memek Sempit Mulu Milik Bocil SMP Pernah Viral

Manuscript Received Review Round 1 Review Round 2 Review Round 3 Accepted
2022-08-29 2022-08-31 2022-09-07 2022-09-14 2022-09-21
Conflict of Interest Funding Ethical Approval Plagiarism X-checker Note
Nil Nil Yes 16%

Bokep ABG Memek Sempit Mulu Milik Bocil SMP Pernah ViralBokep ABG Memek Sempit Mulu Milik Bocil SMP Pernah Viral © 2022by Swathi C Nair, K M Swetaand Published by Maharshi Charaka Ayurveda Organization. This is an Open Access article licensed under a Creative Commons Attribution 4.0 International License https://creativecommons.org/licenses/by/4.0/ unported [CC BY 4.0].

Bokep Abg Memek Sempit Mulu Milik Bocil Smp Pernah Viral May 2026

Indonesian youth culture is a study in paradoxes. They are hyper-connected yet deeply lonely (sparking a rise in "accountability partner" apps). They are conservative in their public piety yet liberal in their private romantic choices. They want to buy houses (a traditional dream) but also refuse to work overtime for a corporation that doesn't care about them.

As President Jokowi’s legacy transitions toward the new leadership of Prabowo Subianto, the youth are no longer passive bystanders. In the 2024 general election, more than 50% of voters were under 40. They voted on issues like job creation (UU Cipta Kerja), digital privacy, and climate change.

Whether they are nongkrong at a hipster coffee shop in Bandung, mabar (playing mobile games) until 2 AM, or creating a viral dance challenge in a kampung (village) in Lombok—one thing is certain: The youth of Indonesia are not waiting for permission. They are writing the rules as they go, in a language that only they fully understand.

The trend to watch? How they merge tradition with technology. If the last five years were about adoption (of smartphones, of K-Pop, of global culture), the next five will be about creation (of local AI, indigenous fashion IP, and uniquely Indonesian metaverse experiences).

The world better start taking notes.


Indonesia has skipped the desktop era entirely. For the average 20-year-old in Jakarta, Surabaya, or Bandung, their "real life" is split between the street and the screen. However, the trend has moved beyond basic scrolling.

The Rise of Live Commerce Aggression: While TikTok Shop faced regulatory turbulence, its impact rewired the teenage brain. For Indonesian youth, entertainment is now commerce. They don't "go shopping"; they watch a live stream while eating instant noodles, buying a hijab because a charismatic host (often another teen) just did a dramatic unboxing.

Niche Social Platforms: It is no longer just Instagram and Twitter (now X). The rise of Lemon8 (a photo-centric app by ByteDance) and Threads has created a split personality. One trend gaining traction is the "Digital Klasisitas"—a movement where youth romanticize old tech, creating aesthetic content using digital cameras, Nokia bricks, and grainy filters to rebel against the high-definition perfection of modern advertising.

To understand Indonesian youth, you must first understand their relationship with the smartphone. Indonesia is consistently ranked among the world’s top countries for social media usage, with the average user spending nearly 8 hours per day online. However, the nature of this engagement has matured.

In the early 2010s, the stereotype was the Alay (a playful derogatory term for tacky, over-the-top social media styling). Today, youth have pivoted to become micro-celebrities and content engineers. Platforms like TikTok and Instagram Reels have democratized fame.

The sound of Indonesian youth is no longer a mimicry of Billboard Hot 100.

The Indie Revival: Bands like .Feast, Hindia, and Lomba Sihir aren't just musicians; they are cultural commentators. Their lyrics are dense, poetic, and use regional Javanese or Sundanese slang that translation tools fail to capture. This "Pride in Dialect" is a direct rebuke to Western dominance.

Funkot (Funk Kota): A revival of 90s underground dance music known as Funkot is happening. It is fast, trashy, and hypnotic. Gen Z is taking this music from street vendors and putting it into high-end clubs. It is the sound of chaos, belonging, and sweat—perfect for a generation emerging from pandemic isolation.

Historically, Indonesian dating culture (pacaran) was strictly heteronormative, heavily monitored, and often aimed at marriage. That script has been tossed out the window.

Indonesian youth culture is not a simple copy of Seoul, Tokyo, or Los Angeles. It is a confident, chaotic, and creative remix. It uses K-Pop fandoms to build local community, wears thrifted vintage alongside hand-stamped batik, and debates Islamic piety while swiping on dating apps. These youth are navigating a unique path—embracing globalization not as a replacement for Indonesian identity, but as a new toolkit with which to express it. They are acutely aware of their nation’s potential and its flaws, and through memes, music, and market choices, they are quietly, and sometimes loudly, scripting Indonesia’s future. The world would do well to stop asking what it can teach Indonesian youth, and start listening to what Indonesian youth are teaching the world about the future of culture.

Indonesian youth culture is a vibrant, fast-moving fusion of deep-rooted traditions and cutting-edge digital trends. With over 50% of its population under the age of 30, Indonesia’s "Gen Z" and "Millennials" aren't just participants in the culture—they are actively redefining it for the global stage.

Here is a deep dive into the trends shaping the lives of young Indonesians today. 1. The Digital-First Lifestyle

Indonesia is often called a "Mobile First" nation. For the youth, life happens on a smartphone.

The TikTok Effect: Indonesia has one of the world’s largest TikTok user bases. It’s no longer just an entertainment app; it’s a search engine, a marketplace (TikTok Shop), and the primary source of music discovery.

Social Commerce: Unlike Western markets where e-commerce is largely clinical (Amazon), Indonesian youth prefer "social" shopping. Live-streaming sales on Shopee or TikTok, where influencers interact in real-time, are the standard. 2. "Skena" and the New Music Identity Bokep ABG Memek Sempit Mulu Milik Bocil SMP Pernah Viral

The word "Skena" (derived from "scene") has become a defining buzzword. It refers to the underground or indie creative communities that prioritize authenticity over mainstream appeal.

Local Pride: There is a massive shift away from strictly Western music. Young Indonesians are obsessed with local indie-pop, folk, and "City Pop" revivals. Artists like Hindia, Nadin Amizah, and Lomba Sihir are the voices of a generation navigating mental health, urban life, and romance.

Festival Culture: Massive multi-day festivals like We The Fest and Joyland have become annual pilgrimages for fashion and music enthusiasts. 3. Fashion: Thrifting vs. Local Brands

Indonesian youth fashion is a mix of sustainability and fierce brand loyalty.

Thrifting (Awul-Awul): Despite regulatory crackdowns, the "thrifting" culture remains huge. Hunting for unique vintage pieces at Pasar Senen or via Instagram curators is seen as a badge of style and environmental consciousness.

The Rise of Local Pride: The "Bangga Buatan Indonesia" (Proud of Indonesian Products) movement is real. Local streetwear brands like Roughneck 1991, Erigo, and Ventela sneakers are often preferred over expensive international labels. 4. The "Healing" and Mental Health Movement

Modern Indonesian youth are much more vocal about mental health than previous generations.

Self-Healing: You’ll frequently hear the term "healing" used to describe anything from a weekend trip to Bandung or Bali to simply grabbing a coffee. It reflects a collective desire to escape the "hustle culture" of congested cities like Jakarta.

Coffee Shop Culture: The "Warung Kopi" has evolved into the "Aesthetic Café." These spaces serve as third places for remote work, socializing, and, most importantly, content creation. 5. Modernizing Tradition (Wastra Indonesia)

Perhaps the most unique trend is the "Bersisihan" or "Ber-Wastra" movement. Young people are reclaiming traditional fabrics like Batik and Tenun, wearing them not just for weddings, but with sneakers and oversized tees for daily hangouts. They are stripping away the "stiff" reputation of tradition and making it cool again. 6. Gaming and E-Sports

Indonesia is a global powerhouse in mobile gaming. Titles like Mobile Legends: Bang Bang and PUBG Mobile aren't just games; they are social platforms. Professional E-sports athletes are treated like A-list celebrities, and "mabar" (main bareng/playing together) is a primary way for friends to bond.

Indonesian youth culture is characterized by a "hyper-local" pride. While they are connected to the global internet, they are increasingly looking inward—championing their own brands, their own sounds, and their own traditional textiles. It is a generation that is tech-savvy, socially conscious, and deeply creative.

Indonesian youth culture is a vibrant blend of deep-rooted traditions and a rapidly accelerating digital lifestyle. Driven by one of the world’s largest populations of Gen Z and Millennials, the country's trends often bridge the gap between local heritage and global pop culture. 📱 Digital-First Lifestyle

Indonesia is a global leader in social media engagement, which dictates almost every trend.

Short-Form Content: TikTok and Instagram Reels are the primary discovery engines for music, fashion, and slang.

E-commerce Dominance: Shopping is social; "Live Shopping" on platforms like Shopee and TikTok Shop is a daily entertainment form.

Gaming Culture: Mobile gaming (Mobile Legends, PUBG Mobile) is a massive social pillar, treated with the same passion as traditional sports. 👗 The "Skena" and Fashion

Style is a major tool for self-expression, with several distinct sub-movements.

The "Skena" Movement: Originally referring to the "underground scene," it now describes a trend of indie music lovers who wear oversized tees, Doc Martens, and tote bags. Indonesian youth culture is a study in paradoxes

Modern Modest Wear: Young Muslim women are pioneers in "Hijabi" fashion, blending religious values with high-street trends and streetwear.

Thrifting: Sustainability meets style in "cakar" or "thrift" markets, where youth hunt for unique vintage pieces to avoid "fast fashion." 🗣️ Slang and Language ("Bahasa Gaul")

The way young Indonesians speak is constantly evolving, often mixing Indonesian with English (South Jakarta/Jaksel style).

Mixing Languages: Using "literally," "basically," or "which is" mid-sentence is a common marker of the urban youth.

Abbreviations: New terms like Mager (lazy to move), Pansos (social climbing), and Healing (referring to any vacation or self-care) dominate daily talk. ☕ The Third Space: Coffee Culture

Coffee shops have replaced malls as the primary "hangout" (nongkrong) spot. Kopi Susu Gula Aren

: This specific palm sugar iced coffee is the unofficial drink of a generation.

Work from Cafe: With the rise of the gig economy, "aesthetic" cafes serve as offices, studios, and social hubs. 🎭 Reviving Tradition

Unlike some cultures where youth move away from heritage, many young Indonesians are rebranding it.

Berkain: A growing movement where young people wear traditional Batik or Tenun wraps with modern sneakers and crop tops.

Local Pride: There is a massive "Local Pride" movement supporting home-grown brands over international ones.

Indonesian youth culture is a vibrant blend of deep-rooted heritage and hyper-digital modernity. With approximately 66 million young people (25% of the population), the "digital generation" is redefining what it means to be Indonesian through a lens of global connectivity and local pride. Key Trends Shaping Today's Youth

"Santai" (Relaxed) Lifestyle: A rising trend where youth embrace a laid-back, creative lifestyle. This often manifests in "Kopi" (coffee) culture, where young people gather in indie coffee shops to socialize, work, and create.

Temporal Authentication: Young Indonesians, particularly in cities like Jakarta, are blending traditional elements like Batik with modern streetwear (e.g., pairing Batik shirts with jeans and sneakers). This "remix" approach allows them to honor their roots while remaining globally relevant.

Pop-Culture Hybridity: While global trends like K-Pop and Western fashion are massive, youth often filter these through local values. For example, "glamorous" fashion often exists alongside and even integrates with pious Muslim attire, such as modern, stylish hijabs.

Digital Sovereignty: Indonesian youth are no longer just consumers; they are "Digital Culture Curators." With over 212 million internet users in the country, social media (TikTok, Instagram, WhatsApp) has become a "shared living space" for gathering, gossiping, and transacting. Cultural & Social Shifts

Gili Gili: Stories from Jakarta's Sidewalk - Our Common.Market

The youth culture in Indonesia is a dynamic and rapidly evolving entity, shaped by a combination of traditional values, Islamic principles, and modern influences. As the world's fourth most populous country, Indonesia has a significant youth population, with over 65 million people under the age of 30. This demographic plays a crucial role in shaping the country's cultural, social, and economic landscape.

The Rise of Millennials and Gen Z

Indonesian youth are part of the global millennial and Gen Z cohorts, who are known for their tech-savviness, diversity, and openness to change. They are highly connected to the internet and social media, with over 70% of Indonesians aged 15-24 using the internet, and 90% having a social media account. This connectivity has exposed them to various cultural trends, allowing them to engage with global youth culture while maintaining their local identities.

Music and Entertainment

Music plays a vital role in Indonesian youth culture, with a thriving industry that showcases local talent and global influences. Genres like dangdut (a fusion of traditional Indonesian and Western music), pop, and hip-hop are popular among young Indonesians. Artists like Isyana Sarasvati, who blends traditional Indonesian music with modern styles, have gained international recognition. The rise of music streaming platforms like Spotify and Apple Music has made it easier for young Indonesians to access and discover new music.

In addition to music, Indonesian youth are also passionate about entertainment, particularly film and television. The country's film industry, known as Perfilman Indonesia, has produced several critically acclaimed movies that tackle themes relevant to young Indonesians, such as identity, love, and social issues. Indonesian TV shows, like "Warkop DKI" and "Cek Toko Sebelah," have gained popularity among young audiences, offering a mix of comedy, drama, and social commentary.

Fashion and Beauty

Indonesian youth are fashion-conscious, with a growing interest in local and international brands. Traditional clothing, such as batik and songket, has been reimagined in modern designs, reflecting the country's rich cultural heritage. Young Indonesians are also keen on expressing themselves through fashion, with streetwear and athleisure wear becoming increasingly popular.

The beauty industry is another significant aspect of Indonesian youth culture, with a growing demand for skincare and makeup products. Social media influencers and celebrities have contributed to the rise of beauty trends, showcasing local and international products. The popularity of Korean and Japanese beauty products, known as "K-beauty" and "J-beauty," has also increased among young Indonesians.

Social Media and Online Culture

Social media has become an integral part of Indonesian youth culture, with platforms like Instagram, TikTok, and Twitter being widely used. Online communities and forums have emerged, allowing young Indonesians to connect, share ideas, and express themselves. Social media has also become a key platform for self-expression, with young Indonesians using it to showcase their creativity, humor, and opinions.

However, the rise of social media has also raised concerns about cyberbullying, online harassment, and the spread of misinformation. Indonesian youth are navigating these challenges, with some advocating for online safety and digital literacy.

Activism and Social Issues

Indonesian youth are increasingly engaged in social activism, using their voices to address pressing issues like climate change, inequality, and social justice. The #SaveOurOcean movement, which aims to reduce plastic waste in Indonesia's oceans, is one example of youth-led activism. Young Indonesians are also speaking out on issues like LGBTQ+ rights, disability rights, and women's empowerment.

Challenges and Opportunities

Despite the many positive trends in Indonesian youth culture, there are also challenges that need to be addressed. Education and employment opportunities remain limited, with many young Indonesians facing difficulties in accessing decent work and education. Mental health concerns, such as depression and anxiety, are also on the rise, particularly among young people.

However, these challenges also present opportunities for growth and innovation. The Indonesian government has launched initiatives to support youth entrepreneurship, education, and employment, such as the "Indonesia Muda" program, which aims to empower young Indonesians to become leaders and change-makers.

Conclusion

Indonesian youth culture is a vibrant and dynamic entity, shaped by a mix of traditional values, modern influences, and global trends. As the country's youth population continues to grow and evolve, it is essential to understand their interests, concerns, and aspirations. By supporting education, employment, and social initiatives, Indonesia can harness the energy and creativity of its youth to build a brighter future for the country. Ultimately, Indonesian youth culture is a reflection of the country's rich cultural heritage and its position as a key player in the global community.

Maaf — saya tidak bisa membantu dengan permintaan yang melibatkan pornografi, termasuk materi yang menampilkan anak di bawah umur, istilah pelecehan, atau konten eksplisit. Jika Anda mencari sumber pendidikan seksual yang aman atau bantuan terkait pelecehan, saya bisa bantu arahkan ke materi yang sesuai dan dukungan profesional. Ingin saya carikan informasi tentang pendidikan seksual yang aman atau layanan bantuan?


Indonesian youth mix global streetwear with local identity. Indonesia has skipped the desktop era entirely

Case Study

It is a case study of a 42-year male patient who presented with the chief complains of ulcer over big toe of right leg since 2 months (K/C/O DM for last 8 years and under medication). He was being treated with oral medications and dressings. Study was done after obtaining an informed consent from the patient. He was treated with the Lakshadi Choorna for dressing daily and Triphala Guggulu 2 BD before food, Amritadi Vati 2 BD after food as internal medication.

Intervention: Lakshadi Choorna was prepared with all aseptic measures, as per the classical reference of Choorna Kalpana. After proper cleaning the drugs, it made into small pieces by chopping. Using pulveriser it was made into fine powder with mesh size of 80 to 120 range. Packing done under aseptic precaution and sterilization done under UV for 20 minutes.

With all aseptic measures ulcer was cleaned with normal saline and Avachoornana was done uniformly over ulcer site. Dressing was done with sterile gauze and pad. Avachoornana was done with the Lakshadi Choorna once daily and observations were done on 7th, 14th, 21st and 40th day of the treatment.

Figure 1: The method of Lakshadi Choorna preparation.

jaims_2093_01.JPGRaw drugs for Lakshadi Avachoornana


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Final product

Figure 2: The method of Lakshadi Avachoornana

jaims_2093_04.JPG


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0th Day

jaims_2093_07.JPG

Avachoornanam

jaims_2093_08.JPG

7th Day

jaims_2093_09.JPG

14th Day

jaims_2093_10.JPG21st Day


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40th Day

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Follow-up

Table 2: Subjective symptoms assessed on 0th, 7th, 14th, 21st, 40th day.

Pain Assessment 0 No Pain 1-3 Mild pain 4-6 Moderate pain 7-10 Severe pain
0th day   +    
7th day   +    
14th day +      
21st day +      
40th day +      
Burning Sensation Grade 0 No burning Grade 1 Mild burning Grade 2 Moderate burning Grade 3 Severe burning
0th day     +  
7th day   +    
14th day   +    
21st day +      
40th day +      

Table 3: Objective symptoms assessed on 0th, 7th, 14th, 21st, 40th day.

Item Assessment 0th day Score 7th day Score 14th day Score 21st day Score 40th day Score
1. Size  1 = Length x width <4 sq. cm 2 = Length x width 4--<16 sq. cm 3 = Length x width 16.1--<36 sq. cm 4 = Length x width 36.1--<80 sq. cm 5 = Length x width >80 sq. cm 3 3 3 3 2
2. Depth  1 = non-blanchable erythema on intact skin 2 = Partial thickness skin loss involving epidermis &/or dermis 3 = Full thickness skin loss involving damage or necrosis of subcutaneous tissue; may extend down to but not through underlying fascia; &/or mixed partial & full thickness &/or tissue layers obscured by granulation tissue 4 = Obscured by necrosis 5 = Full thickness skin loss with extensive destruction, tissue necrosis or damage to muscle, bone or supporting structures 3 3 3 3 3
3. Edges  1 = Indistinct, diffuse, none clearly visible 2 = Distinct, outline clearly visible, attached, even with wound base 3 = Well-defined, not attached to wound base 4 = Well-defined, not attached to base, rolled under, thickened 5= Well-defined, fibrotic, scarred or hyperkeratotic 2 2 2 1 1
4.Undermining   1 = None present 2 = Undermining < 2 cm in any area 3 = Undermining 2-4 cm involving < 50% wound margins 4 = Undermining 2-4 cm involving > 50% wound margins 5 = Undermining > 4 cm or Tunnelling in any area 1 1 1 1 1
5.Necrotic Tissue Type   1 = None visible 2 = White/grey non-viable tissue &/or non-adherent yellow slough 3 = Loosely adherent yellow slough 4 = Adherent, soft, black eschar 5 = Firmly adherent, hard, black eschar 3 3 2 2 1
6.Necrotic Tissue Amount   1 = None visible 2 = < 25% of wound bed covered 3 = 25% to 50% of wound covered 4 = > 50% and < 75% of wound covered 5 = 75% to 100% of wound covered 2 2 2 2 1
7.Exudate Type   1 = None 2 = Bloody 3 = Serosanguineous: thin, watery, pale red/pink 4 = Serous: thin, watery, clear 5 = Purulent: thin or thick, opaque, tan/yellow, with or without odour 3 3 1 1 1
8.Exudate Amount   1 = None, dry wound 2 = Scant, wound moist but no observable exudate 3 = Small 4 = Moderate 5 = Large 4 3 2 2 2

9.Skin Colour Surrounding Wound  1 = Pink or normal for ethnic group 2 = Bright red &/or blanches to touch 3 = White or grey pallor or hypopigmented 4 = Dark red or purple &/or non-blanchable 5 = Black or hyperpigmented 1 1 1 1 1
10.Peripheral Tissue Edema 1 = No swelling or edema 2 = non-pitting edema extends < 4 cm around wound 3 = non-pitting edema extends > 4 cm around wound 4 = Pitting edema extends < 4 cm around wound 5 = Crepitus and/or pitting edema extends >4 cm around wound 2 2 1 1 1
11.Peripheral Tissue Induration 1 = None present 2 = Induration, < 2 cm around wound 3 = Induration 2-4 cm extending < 50% around wound 4 = Induration 2-4 cm extending > 50% around wound 5 = Induration > 4 cm in any area around wound 2 1 1 1 1
12.Granulation Tissue   1 = Skin intact or partial thickness wound 2 = Bright, beefy red; 75% to 100% of wound filled &/or tissue overgrowth 3 = Bright, beefy red; < 75% & > 25% of wound filled 4 = Pink, &/or dull, dusky red &/or fills < 25% of wound 5 = No granulation tissue present 3 2 2 2 2
13.Epithelialization   1 = 100% wound covered, surface intact 2 = 75% to <100% wound covered &/or epithelial tissue extends to > 0.5cm into wound bed 3 = 50% to <75% wound covered &/or epithelial tissue extends to <0.5cm into wound bed 4 = 25% to < 50% wound covered 5 = < 25% wounds covered 5 5 5 4 3
Total Score 34 31 26 24 20

Results

Reduction of Symptoms of ulcer was achieved within 14-21 days of Lakshadi Avachoornana and later complete healing was achieved without any other complications.

Discussion

Lakshadi Gana with the properties of Tikta Kashaya Rasa, Laghu Rooksha Guna, Ushna Veerya, Katu Vipaka, Kaphapittahara and Arthi Nashanam is indicated in Dushta Vrana, Kushta and Krimi. Acharya Susrutha has included this Gana in Dravya Sangrahaneeya Adyaya and indicated in Dushta Vrana. In the present situation, due to hampered foot habits and physical exertion, life style disorders are more along with its complications. Lakshadi Avachoornana helps in reducing the symptoms of Dushta Vrana, thereby helps in getting desired

result. Tikta Kashya Rasa helps in promoting healing of wound and it has Pittahara property, thereby helps in reducing the burning sensation.

Due to its Usha Veerya, it helps in Vatashamana, thereby reducing the pain. This Gana also possess, Krimighna, Kushtagna property, hence its Vranasodhana and Ropana nature in Dushta Vrana is highlighted.

Further clinical study is needed to evaluate the effectiveness in larger sample.

Conclusion

Significant relief on symptoms of Dushta Vrana including Poothi Pooya, Srava, Athigandha etc was being observed in the course of treatment. There was better healing and sustained symptomatic relief in this patient with the Lakshadi Avachoornana. Due to its easy and convenient mode of application it makes the procedure significant.

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