| Metric | Week 1 | Week 2 | Week 3 | Comments | |--------|--------|--------|--------|----------| | Streams (global) | 1.2 M | 0.9 M | 0.6 M | 75 % from Japan, 15 % SE‑Asia, 10 % Rest of World | | YouTube Views (lyric video) | 420 K | 210 K | — | Video live 8 Mar; early viewership strong | | TikTok UGC (uses of teaser) | 1 K videos, 3.1 M total views | 600 videos, 1.9 M views | — | Highest‑performing clip: 15‑sec chorus dance | | Social Followers Gained | +12 K Instagram, +8 K Twitter/X | +6 K IG, +4 K X | — | 70 % organic, 30 % paid boost | | Physical Sales | 140 units (pre‑order) | 120 units (post‑release) | — | Sold‑out within 2 weeks; waiting list opened | | Radio Airplay (Japan FM) | 15 spins (Tokyo) | 22 spins (nationwide) | — | Added to “J‑Pop Hot 20” rotation | | Playlist Placements | • “New Music Friday (Japan)” (150 K followers)
• “Indie Electronica” (120 K) | – | – | Secured 3 editorial placements |

Note: Data sourced from label’s analytics dashboard (as of 15 Mar 2026).

Pre‑release buzz (social listening, TikTok teaser, 2 M impressions) suggests strong early engagement. This report consolidates all available data, evaluates performance to date, and outlines next‑step recommendations.