You might read this and think, "It’s just two people talking about sex and art. Who cares?"
The archivists disagree. In the era of sanitized, brand-safe podcasts (think SmartLess or Armchair Expert), DVDASA represents the last true wild west. It is a time capsule of early 2010s Los Angeles—before cancel culture, before algorithmic content moderation, when Patreon was just a baby and you could say anything into a Blue Yeti mic.
David Choe, for all his flaws, captured the voice of the "sensitive degenerate." Asa Akira broke the fourth wall of the adult industry better than any journalist ever has. The archive is not just entertainment; it is an anthropological study of a friendship built on mutual weirdness.
Notable moments preserved only in this UPD archive: dvdasa the complete archive upd
Let’s be real. DVDASA is not on Spotify. It is not on Apple Podcasts. The "complete archive upd" exists in the digital grey market.
Step-by-step for 2026:
Alternative method: Some fans have reposted the archive to Internet Archive (archive.org) under the title "DVDASA – The Dirt Collection." Search for that exact phrase. You might read this and think, "It’s just
Before its disappearance, DVDASA was unlike anything else on the early podcasting landscape. While shows like WTF with Marc Maron and The Joe Rogan Experience were standardizing the interview format, Choe and Akira deconstructed it entirely. Episodes featured a rotating “Dream Team” of guests—including underground rapper Kool Keith, filmmaker Harmony Korine, and even convicted felons—discussing everything from nihilistic philosophy to graphic sexual encounters. The show’s tagline, “Live. Love. Laugh. Lick,” belied its deeper, often uncomfortable sincerity.
What made DVDASA culturally significant was its raw vulnerability. Choe, who had recently given away millions from a Facebook stock windfall, used the show as therapy, discussing suicidal ideation, addiction, and the absurdity of wealth. Akira provided a grounded, fiercely intelligent counterpoint, demystifying the adult industry while challenging Choe’s excesses. For a dedicated audience, DVDASA wasn’t just shock jock entertainment; it was a radical experiment in transparency.
The original archives on YouTube, iTunes, and DVDASA.com were nuked for three primary reasons: Alternative method: Some fans have reposted the archive
For years, only fragmented clips survived—until dedicated archivists began the work of digital salvage.
The DVDASA complete archive is more than a nostalgia dump. It represents a shift in how we value “problematic” or uncomfortable art. In an era of content moderation and algorithmic curation, many raw, unpolished works are lost because they defy advertising guidelines or contemporary sensibilities. Preserving DVDASA allows researchers and listeners to study:
Moreover, the archive update sets a precedent. If DVDASA can be resurrected through community effort, so can other “lost” podcasts—from the early days of The Bugle’s deleted episodes to obscure public-access-style web series.