Ed Sheeran - No. 6 Collaborations Project.rar -

Not every collaboration sparks. “I Don’t Want Your Money” (with H.E.R.) is a pleasant but forgettable R&B stroll—too slight for either artist’s talent. “Best Part of Me” (with Yebba) , while vocally stunning (Yebba’s bridge is a gut-punch), feels like a ÷ (Divide) outtake, safe and predictable.

The most controversial swing is “Remember the Name” (with Eminem & 50 Cent) . On paper: Ed Sheeran + two rap legends = event. In reality: it’s fine. Sheeran’s sung chorus is serviceable, 50 delivers a competent but uninspired verse, and Eminem does his rapid-fire, multi-syllabic technical exercise—impressive but emotionally detached. It’s a reminder that legacy features don’t automatically yield magic.

Then there’s “South of the Border” (with Camila Cabello & Cardi B) . A Latin-pop-trap crossover about a drug-running romantic fantasy. It’s absurd, catchy, and somehow works. Cardi’s verse is playful and sharp, Cabello brings radio-friendly warmth, and Sheeran leans into his chameleon role. It’s a guilty pleasure that knows exactly what it is. Ed Sheeran - No. 6 Collaborations Project.rar

Let’s not pretend otherwise—this album was built for streaming. The lead single, “I Don’t Care” (with Justin Bieber), is a sugar bomb of synth-pop anxiety dressed as a party anthem. It’s not profound. It’s not meant to be. It’s two of the biggest male pop stars admitting they hate parties while headlining one. The chemistry is serviceable, the hook is sticky, and the math worked: over a billion streams.

Then there’s “Beautiful People” (with Khalid) , a subdued, atmospheric critique of LA’s superficial glamour. It’s ironic, given both artists are now fixtures of that world, but the delivery is sincere. Khalid’s silky tenor against Sheeran’s vulnerable croon makes it one of the album’s most cohesive moments. Not every collaboration sparks

“Take Me Back to London” (with Stormzy) is the spiritual sequel to No. 5’s “You Need Me, I Don’t Need You.” Stormzy brings genuine grime energy, and Sheeran’s rapid-fire verses recall his earlier hunger. It’s a standout because it feels rooted—in place (London), in history (UK rap’s rise), and in mutual respect. The remix with Aitch later confirmed its anthem status.

The premise is right there in the title: this is a project built on partnerships. While Sheeran has always written for others and featured on tracks, this album formalized the "feature" as the central theme. It acts as a curated playlist of Sheeran’s musical interests, bridging the gap between his acoustic singer-songwriter roots and his deep love for hip-hop and R&B. The most controversial swing is “Remember the Name”

For listeners who accuse Sheeran of playing it safe, No. 6 offers genuine curveballs. “Cross Me” (with Chance the Rapper & PnB Rock) features a glitchy, minimalist beat and a Chance verse that overflows with quirky charm. It’s weird, off-kilter, and refreshing.

“Blow” (with Bruno Mars & Chris Stapleton) is the album’s wildest left turn. A hard rock, blues-metal stomp with distorted guitars, primal screams, and a swagger that neither Sheeran nor Mars had shown before. Stapleton’s whiskey-soaked wail is the secret weapon. It’s ridiculous, fun, and proof that Sheeran can step outside his comfort zone when he wants to.

“Antisocial” (with Travis Scott) is another shape-shifter. Auto-tuned, mumble-adjacent, with a beat that sounds like a collapsing spaceship. Purists hated it. But it showed Sheeran wasn’t afraid to chase 2019’s rap zeitgeist, even if he didn’t fully inhabit it.