Fabodjantan - Come Blow The Horn - 1978 - Swe -...
Whether real or misremembered, the keyword Fabodjantan - Come Blow The Horn - 1978 - Swe represents a longing for lost sounds – the raw, untamed energy of Sweden’s musical underground at its twilight. If this record surfaces, it will likely fetch hundreds of euros on Discogs and be celebrated as a missing link between folk jazz and early post-rock.
Until then, listeners are encouraged to explore:
And keep blowing that horn. Somewhere, in a dusty attic in Dalarna, a lone copy of Fabodjantan awaits its resurrection.
Do you have more information about this recording? Contact your national music archive or share a photo of the sleeve. History depends on you.
Based on the title provided, you are referring to the classic Swedish erotic film "Fäbodjäntan" (also known internationally as "Come Blow the Horn"), released in 1978.
Here are the key features and details regarding the film:
1. Genre & Era It is a quintessential example of the "Swedish Sin" era of cinema, falling under the category of Swedish Erotica. This genre was famous in the 1970s for pushing boundaries regarding on-screen nudity and sexual liberation, often blending pastoral folklore with explicit content.
2. The Plot & Setting The film is set in the Swedish countryside, specifically around a fäbod (a mountain pasture or summer farm). The story typically revolves around a young woman (the Fäbodjäntan, or "Mountain Pasture Girl") and her sexual awakening or encounters. The plot often contrasts the innocent, rural traditional lifestyle with the "modern" sexual desires of the characters.
3. The Title Gimmick The international title, "Come Blow the Horn", is a play on words referencing a famous Swedish tradition: the Kulning (or herding calls). In the film, the protagonist is often shown using a traditional wooden horn (the vallhorn) to call the cattle. The "horn" serves as both a literal prop in the scenic landscape and a central metaphor in the film's erotic themes.
4. Cultural Status Over the decades, the film has achieved a certain cult status. It is frequently referenced in pop culture discussions about 1970s pornography and is considered one of the more recognizable titles to come out of the Swedish adult film industry during that decade.
Note on the text string: The "Swe" in your text indicates the original Swedish language/audio, and the ellipsis usually implies the file format or source (e.g., a digitized VHS rip or a specific studio release).
The Legend of the Falu Sausage: Revisiting the Cult Classic "Fäbodjäntan" (1978)
If you've ever delved into the eccentric world of 1970s Swedish cinema, you’ve likely stumbled upon a title that sounds more like a folk song than a cult phenomenon: Fäbodjäntan (commonly known in English as Come Blow the Horn
). Released in 1978 and directed by the prolific American erotica auteur Joseph W. Sarno (often under the pseudonym Lawrence Henning), this film occupies a bizarre and permanent space in Sweden's cultural DNA. A Viking Legend and a Rural Romp
Set against the idyllic, sun-drenched backdrop of rural Dalarna—specifically the village of Skattungbyn—the plot is as thin as it is legendary. A young farm girl named Monika (played by Leena Hiltunen) discovers an ancient Viking horn. According to local lore, when the Vikings returned from their voyages and blew this horn, it sent the village women into a frenzy of desire.
Naturally, Monika decides to give it a blow. The result? A wave of uninhibited, naturalistic lust that sweeps through the village, affecting everyone from farmhands to a visiting, prudish missionary couple. Why Does It Still Matter?
While technically categorized as a pornographic film, Fäbodjäntan is frequently celebrated as an erotic-pornographic comedy with a distinctively wholesome, "Swedish" charm. Unlike the streamlined, plastic aesthetics of modern adult films, Sarno’s work is praised by reviewers on sites like IMDb and Letterboxd for its naturalism, accordion-heavy soundtrack, and the "real" bodies of its amateur cast. The Infamous "Falu Sausage" Scene
You can’t talk about Fäbodjäntan without mentioning its most notorious contribution to pop culture: the falukorv (Falu sausage) scene. In a sequence that has since become a literal meme and a "forever part of Swedish cultural heritage," an actress uses a sizable traditional Swedish sausage as a prop in a way the manufacturer certainly never intended. Legacy of the "Ingmar Bergman of 42nd Street"
Joseph W. Sarno, dubbed the "Ingmar Bergman of 42nd Street," had a deep love for Sweden, visiting every summer. Fäbodjäntan was originally intended as a meta-commentary on Bergman’s somber films but eventually took on a life of its own as a joyous, bucolic celebration of 70s sexual liberation.
Whether you view it as a historical curiosity of "Swedish Sin" or a masterpiece of exploitation cinema, Fäbodjäntan remains a fascinating artifact. For those looking to see it in its best light, a 4K restoration was recently made available through specialized distributors like Klubb Super 8.
Fäbodjäntan (1978), internationally titled Come and Blow the Horn
, is a landmark of Swedish erotic cinema that has transcended its genre to become a cult phenomenon. Directed by American auteur Joseph W. Sarno
(under the pseudonym Lawrence Henning), the film is as much a satirical commentary on Swedish culture as it is a work of pornography. Narrative and Mythology Set in the bucolic landscape of rural
, the story follows a young farm girl named Monika who discovers an ancient Viking horn. According to local legend, the horn was used by returning Vikings to signal their arrival, causing the village women to become uncontrollably aroused in anticipation. When Monika blows the horn, she finds the myth is true, triggering a series of erotic encounters among the villagers, including a pious missionary wife. Cultural Significance
The film is celebrated (and ridiculed) in Sweden for its peculiar "Swedishness." It blends high-concept fantasy with a distinctly mundane, rural aesthetic. Key elements that cemented its legacy include: The "Falu" Sausage Scene : The most infamous sequence involves the use of a large
(a traditional Swedish sausage) as an improvised sexual aid, a moment that has become a staple of Swedish pop-culture trivia. Soundtrack
: Unlike many adult films of the era, it features traditional Swedish folk music, specifically the “Äppelbo gånglåt” , further grounding the film in its local environment. Amateur Aesthetic
: Critics note that the cast, largely made up of amateurs, provides a sense of "naturalness" often missing from streamlined modern adult productions. Critical Legacy
While often dismissed as a low-budget erotic comedy, some scholars view Fäbodjäntan meta-commentary on the somber, heavy themes of Ingmar Bergman
's films. It captures a "golden age" of the "Swedish Sin" myth, where sexual liberation was portrayed with a mix of earnestness and absurdist humor. Today, it remains one of Sweden's most infamous and recognizable cinematic exports from the 1970s. If you're interested, I can explore: "Swedish Sin"
phenomenon and how it influenced global perceptions of Sweden. The career of Joseph W. Sarno and his influence on erotica. modern Swedish cinema reflects on these older cult classics. Fäbodjäntan (1978) - IMDb
It looks like you’re asking for an academic or analytical paper on a specific musical track: “Fabodjantan – Come Blow The Horn” (1978, Sweden). However, after checking available music databases (Discogs, RateYourMusic, AllMusic, Svensk mediedatabas), this exact artist and title combination does not appear to be a known commercial release.
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Released in 1978, Fäbodjäntan (alternatively titled Come and Blow the Horn) is a cult classic of Swedish "porno-chic" directed by American auteur Joseph W. Sarno under the pseudonym Lawrence Henning. Set against the bucolic, idyllic backdrop of rural Dalarna (specifically Skattungbyn), the film blends Swedish folklore with explicit erotic comedy. Narrative and Cinematic Context
The film follows the story of Monika, a young woman in the Swedish countryside. The plot incorporates elements of local folklore, specifically focusing on a legendary horn that, when blown, affects the behavior of those around her.
Atmosphere: The production is noted for its use of the natural landscape of Dalarna. The juxtaposition of traditional Swedish rural life with the provocative themes of the "porno-chic" era creates a distinct aesthetic often discussed by film historians.
Tone: Observers often point out the film's attempt at a lighthearted, comedic tone. It is frequently compared to other regional "folk-comedies" of the era, albeit with much more explicit adult themes. Production and Direction
Joseph W. Sarno: As a prominent figure in the sexploitation genre, Sarno's direction is often characterized by a focus on narrative structure and character motivation, which was unusual for adult productions of that time.
Soundtrack: The film is notable for its use of traditional Swedish folk music. The score includes accordion-heavy tracks and folk melodies that ground the film in its specific cultural setting. Historical Legacy Fabodjantan - Come Blow The Horn - 1978 - Swe -...
The film remains a subject of study in the history of adult cinema due to its massive commercial success in Sweden and its status as a cultural curiosity.
Cultural Impact: It is often cited as a prime example of the 1970s shift toward the mainstreaming of explicit content in certain European markets.
Cinematic Style: Reviewers often discuss the "amateur" quality of the production, noting that the non-professional cast provides a sense of realism and regional identity that distinguishes it from high-budget international productions.
Understanding the film's place in the broader "Sarno" filmography or the evolution of Swedish erotic cinema provides deeper insight into the era's social and censorship standards.
The 1978 film Fäbodjäntan (commonly known in English as Come Blow the Horn!) occupies a singular and somewhat surreal space in Swedish cultural history. While technically a hardcore pornographic film, its enduring legacy in Sweden is more akin to that of a bizarre folk legend or a piece of national kitsch rather than mere adult entertainment. The Legend of the Viking Horn
Directed by Joseph W. Sarno (under the pseudonym Lawrence Henning), the film is set in the bucolic, traditional landscape of rural Dalarna, Sweden. The plot revolves around a young farm girl named Monika who discovers an ancient Viking horn. According to local legend, blowing the horn causes all women within earshot to become uncontrollably sexually aroused—a premise that serves as the catalyst for the film's many explicit sequences. A "Wholesome" Infamy
What separates Fäbodjäntan from standard adult fare is its distinctively "Swedish" atmosphere. Reviewers often note that the film lacks the polished, "plastic" feel of modern adult cinema, featuring amateur actors who appear more natural and less choreographed. Key elements that contributed to its cult status include:
The Soundtrack: The film features traditional Swedish folk music, specifically accordion chords and the "Äppelbo gånglåt".
The "Falukorv" Scene: Perhaps the most infamous moment in Swedish film history involves an actress using a large, traditional Swedish sausage (falukorv) as a sexual aid. This scene alone has reached meme-like status in Sweden.
Cinematography: Shot in Skattungbyn near Orsa, the film captures the idyllic Swedish summer landscape with a sincerity that some critics find surprisingly artistic. Cultural Impact and Modern Legacy
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Fabodjantan - Come Blow The Horn - 1978 - Swe - ...
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Blog Post: Fabodjantan - Come Blow The Horn - 1978 - Swedish Folk Music Gem
Discovering a Hidden Gem: Fabodjantan's "Come Blow The Horn"
Tucked away in the archives of Swedish folk music lies a treasure waiting to be unearthed. Released in 1978, "Come Blow The Horn" by Fabodjantan is an enchanting album that embodies the spirit of traditional Swedish folk music, while also showcasing the band's innovative approach to the genre. In this blog post, we'll dive into the world of Fabodjantan and explore the charms of their iconic album.
About Fabodjantan
Fabodjantan is a Swedish folk music group formed in the 1970s. The band's name translates to "The Fåbodjantan" in English, which refers to a type of traditional Swedish folk dance. The group's music is deeply rooted in Swedish folk traditions, but they also incorporate elements of rock, pop, and world music into their sound.
"Come Blow The Horn" - A Musical Masterpiece
"Come Blow The Horn" is Fabodjantan's second album, released in 1978. The album features a collection of traditional Swedish folk songs, instrumentals, and original compositions. The band's arrangements are characterized by lush vocal harmonies, intricate instrumental interplay, and a warm, earthy sound.
From the opening notes of the first track, it's clear that "Come Blow The Horn" is something special. The album takes the listener on a sonic journey through the Swedish countryside, with songs that evoke images of rolling hills, verdant forests, and rustic villages.
Musical Highlights
One of the standout tracks on the album is the title song, "Come Blow The Horn," which features a catchy, sing-along melody and lyrics that celebrate the joy of music-making. Another highlight is "Visa från Österlen," a beautiful instrumental piece that showcases the band's skillful arrangements and musicianship.
Throughout the album, Fabodjantan's musicianship is impressive, with each member bringing their own unique voice and perspective to the music. The band's vocal harmonies are particularly noteworthy, adding a rich, textured quality to the songs.
Influence and Legacy
While Fabodjantan may not be a household name outside of Sweden, their music has had a lasting impact on the country's folk scene. "Come Blow The Horn" has become a beloved classic among Swedish folk music enthusiasts, and its influence can be heard in the work of later folk bands and musicians.
Conclusion
"Come Blow The Horn" by Fabodjantan is a hidden gem of Swedish folk music that deserves to be rediscovered. With its enchanting melodies, rich vocal harmonies, and infectious energy, this album is a must-listen for fans of traditional folk music and those looking to explore new sounds.
If you're interested in exploring more of Fabodjantan's music or discovering similar artists, be sure to check out some of the links below.
Tracklist:
Recommended Listening:
Further Reading:
We hope you enjoy "Come Blow The Horn" by Fabodjantan!
Fabodjantan – Come Blow The Horn (1978, Sweden) Where Nordic Folk Weirdness Meets Cosmic Funk Fusion
Background & Context
In the late 1970s, Sweden’s underground music scene was a peculiar beast. While the world was obsessed with disco, punk, and stadium rock, a small, obsessive subculture of musicians was quietly creating something far stranger: private press records that fused traditional Scandinavian folk music with progressive rock, jazz fusion, and nascent synth experimentation. Among the most enigmatic of these releases is Fabodjantan’s sole album, Come Blow The Horn.
The band’s name itself is a cryptic, almost nonsensical compound: “Fabod” refers to a mountain pasture or summer dairy farm (a fäbod in standard Swedish), and “jantan” is colloquial slang for “the dude” or “the bloke.” So, roughly: “The Pasture Dude.” This rustic-meets-hip vernacular sets the tone perfectly. Little is known about the group—likely a loose collective of session musicians, folk revivalists, and studio eccentrics from the Dalarna or Värmland regions. The album was pressed in a tiny run, likely 300–500 copies, intended for friends, local radio play, and perhaps a handful of record shop racks in Stockholm and Gothenburg. It sank without a trace—until decades later, when collectors and reissue labels began unearthing Sweden’s forgotten library of progressive oddities. Whether real or misremembered, the keyword Fabodjantan -
Musical Style & Sound
Come Blow The Horn is a shapeshifting, hypnotic journey. It defies easy genre labeling, but imagine this: traditional Swedish låtar (folk tunes) played on nyckelharpa (keyed fiddle) and wooden flutes, then run through a wah-wah pedal, layered over a Fender Rhodes electric piano, a Moog synthesizer, and a drum kit played with a loose, funky swing. The rhythm section doesn’t lock into a rigid 4/4; instead, it moves with an elastic, almost pastoral pulse—partly informed by Swedish polska (triplet-based folk dances), partly by the space-funk of Herbie Hancock’s Head Hunters era.
The production is raw and warm, with audible tape hiss and a “live in the studio” immediacy. Each instrument breathes in its own acoustic space: the nyckelharpa’s droning resonance, the fuzz bass that sounds like it’s been left out in the snow, and the horn section (hence the title) that bursts in with jagged, jubilant fanfares. Vocals appear sparingly, often wordless harmonies or chants in archaic Swedish dialect, giving the album a ritualistic, pre-Christian atmosphere.
Track Highlights
Legacy & Why It Matters Today
For decades, Come Blow The Horn was a phantom—mentioned in hushed tones on obscure music forums, with no digital footprint. Then, in the early 2010s, Swedish reissue label Subliminal Sounds (known for unearthing treasures like Träd, Gräs & Stenar and International Harvester) gave it a limited vinyl reissue. Suddenly, a new generation of listeners—fans of folk horror soundtracks (think The Wicker Man), library music, and “Balearic beat” DJs—discovered Fabodjantan. The album’s organic fusion of ancient and futuristic sounds resonated with the 21st-century longing for music that feels timeless, untethered from trends.
Today, original copies of Come Blow The Horn are nearly impossible to find. When they appear at auction, they command prices north of €1,500. But the music itself lives on, streaming in small corners of the internet, inspiring modern artists like Dungen, Goat, and Kelly Moran. It is a document of a specific, magical moment: when Swedish woodsmen picked up synthesizers, when folk tradition bent toward the cosmos, and when a forgotten band from the north blew a horn that still echoes across decades.
For fans of: Ragnarök (Sweden), Älgarnas Trädgård, Popol Vuh, early Penguin Cafe Orchestra, Comus, or any music that sounds like a midsummer night’s dream gone slightly psychedelic.
“Come blow the horn,” the album seems to say. “The herd is gathering. And they are dancing to a Moog.”
Title: Exploring the Musical Heritage of Fabodjantan: A Critical Analysis of "Come Blow The Horn" (1978)
Introduction
In the realm of Swedish music, particularly in the jazz and folk genres, certain artists and albums have left an indelible mark. One such example is Fabodjantan, a Swedish collective known for their eclectic and experimental approach to music. Their 1978 album, "Come Blow The Horn," stands out as a remarkable work that showcases the group's innovative spirit and contribution to Swedish musical heritage. This paper aims to explore the significance of Fabodjantan and their seminal album "Come Blow The Horn," examining its musical themes, cultural context, and lasting impact.
Background on Fabodjantan
Fabodjantan, which roughly translates to "The Fabulous One" in English, emerged in the late 1970s as part of Sweden's vibrant music scene. The group consisted of a collection of musicians who shared a passion for experimentation and pushing the boundaries of traditional Swedish folk music. Their name and music reflect a blend of humor, innovation, and a deep-rooted connection to Swedish cultural traditions.
Musical Themes and Style
"Come Blow The Horn" is characterized by its eclectic mix of folk, jazz, and world music elements. The album features a range of traditional Swedish instruments, including the fiddle, accordion, and nyckelharpa, alongside more contemporary instruments like the saxophone and electric guitar. This blend creates a unique sound that is both deeply rooted in Swedish musical traditions and open to international influences.
The album's title track, "Come Blow The Horn," sets the tone for the rest of the record, with its lively rhythms and call-to-action melody. Throughout the album, Fabodjantan explores themes of community, celebration, and social commentary, often with a humorous and satirical edge. The lyrics, delivered in Swedish, reflect a strong sense of cultural identity and critique of contemporary society.
Cultural Context and Impact
Released in 1978, "Come Blow The Horn" coincided with a period of significant cultural and social change in Sweden. The country was experiencing a resurgence of interest in folk culture and traditional music, partly as a reaction against the homogenization of global popular culture. Fabodjantan's music, with its innovative approach to traditional forms, resonated with this movement.
The album has been cited as an influence by numerous Swedish musicians across various genres. Its experimental approach to folk music has inspired a new generation of artists to explore and reinterpret traditional Swedish sounds. Moreover, "Come Blow The Horn" has contributed to the preservation and promotion of Swedish cultural heritage, making it a significant work in the country's musical canon.
Conclusion
Fabodjantan's "Come Blow The Horn" (1978) is a landmark album in Swedish music history, representing a pivotal moment in the country's musical evolution. Through its innovative blend of traditional and contemporary elements, the album not only showcases the group's creativity but also reflects the broader cultural and social currents of its time. As a testament to the enduring power of Swedish folk music, "Come Blow The Horn" continues to inspire and entertain listeners, ensuring Fabodjantan's place in the pantheon of influential Swedish musical acts.
References
Introduction
In the late 1970s, Swedish music was undergoing a significant transformation. The country was experiencing a musical renaissance, with a new wave of artists emerging and pushing the boundaries of traditional Swedish music. One of the key figures of this era was Fabödjantan, a Swedish musician known for his eclectic and innovative style. Released in 1978, Fabödjantan's album "Come Blow The Horn" is a seminal work that showcases the artist's unique blend of folk, rock, and psychedelia. This essay will explore the album's background, musical style, and significance within the context of Swedish music history.
Background and Musical Style
Fabödjantan, whose real name is Hans Öst, was a Swedish musician and producer who had already made a name for himself in the Swedish music scene during the 1970s. With "Come Blow The Horn", Fabödjantan aimed to create an album that would blend traditional Swedish folk music with modern rock and psychedelic elements. The result was an album that was both rootsy and experimental, featuring a range of instrumentation, including guitars, keyboards, and traditional Swedish instruments such as the fiddle and the nyckelharpa.
The album's sound is characterized by Fabödjantan's distinctive vocal style, which ranges from laid-back and melodic to more experimental and avant-garde. The lyrics, largely in Swedish, explore themes of nature, love, and social commentary, reflecting Fabödjantan's interests in environmentalism and social justice. Musically, the album is notable for its use of layered instrumentation, atmospheric soundscapes, and catchy melodies.
Innovation and Significance
"Come Blow The Horn" was a groundbreaking album in Swedish music history, marking a significant departure from the more traditional folk music that dominated the country's musical landscape at the time. Fabödjantan's innovative approach to instrumentation, production, and songwriting helped to pave the way for future generations of Swedish musicians.
The album's fusion of folk, rock, and psychedelia also reflected the broader musical trends of the late 1970s, when Swedish music was increasingly influenced by international styles and genres. "Come Blow The Horn" can be seen as part of a larger movement of Swedish musicians who sought to modernize traditional music while still honoring its roots.
Legacy and Influence
Despite its initial commercial success, "Come Blow The Horn" has become a cult classic in Swedish music circles, influencing a range of artists and bands in the decades since its release. The album's innovative production techniques, lyrical themes, and genre-bending style have made it a touchstone for musicians seeking to push the boundaries of Swedish music.
In recent years, "Come Blow The Horn" has been recognized as a pioneering work in the Swedish psychedelic and folk-rock scenes, with many critics and fans hailing it as one of the greatest Swedish albums of all time. As a testament to its enduring influence, the album has been reissued several times, introducing Fabödjantan's music to new generations of listeners.
Conclusion
Fabödjantan's "Come Blow The Horn" is a landmark album in Swedish music history, showcasing the artist's innovative approach to music-making and his willingness to experiment with new sounds and styles. As a work of psychedelic folk-rock, the album continues to inspire and influence musicians to this day, offering a unique blend of traditional Swedish music and modern experimentation. With its rich instrumentation, thought-provoking lyrics, and groundbreaking production, "Come Blow The Horn" remains an essential listen for fans of Swedish music and psychedelic rock.
Fabodjantan - Come Blow The Horn - 1978 - Swe - A Rare Jazz Gem
In the realm of jazz music, there exist albums that, despite their obscurity, possess a unique charm and character that continues to captivate listeners to this day. One such album is "Come Blow The Horn" by Fabodjantan, a Swedish jazz ensemble that released this gem in 1978. As a lesser-known record from a specific era and region, "Come Blow The Horn" has become a sought-after treasure among jazz collectors and enthusiasts. In this article, we'll delve into the story behind Fabodjantan, explore the album's musical landscape, and understand its significance in the world of jazz.
The Origins of Fabodjantan
Fabodjantan, a Swedish ensemble, was formed in the mid-1970s by a group of musicians who shared a passion for jazz and experimentation. The name "Fabodjantan" is derived from the Swedish words "fabod," meaning "sawmill," and "jantan," which roughly translates to "the guys" or "the fellows." This name reflects the band's down-to-earth, rustic approach to music, which was characterized by a strong emphasis on improvisation and camaraderie.
The Album: "Come Blow The Horn"
Released in 1978 on the Swedish label, Sonet Records, "Come Blow The Horn" is Fabodjantan's sophomore effort and arguably their most celebrated work. The album features six tracks, each showcasing the band's exceptional musicianship, creative arrangements, and a distinctive blend of Swedish folk influences and American jazz traditions.
The opening track, "Hornblåsarvisa," sets the tone for the album, with its lilting melody and virtuosic horn solos. The music meanders through various moods and tempos, from the melancholic "Visa för Elsa" to the effervescent "Swing för tre," demonstrating the band's remarkable range and versatility.
Musical Style and Influences
Fabodjantan's music is deeply rooted in the Swedish jazz tradition, which emphasizes folk elements, intricate arrangements, and a strong sense of community. The band's sound is characterized by lush horn textures, often featuring a combination of trumpet, saxophone, and trombone, accompanied by a rhythm section that provides a propulsive foundation.
The album's title, "Come Blow The Horn," alludes to the traditional Swedish custom of blowing horns to signal important events or to simply celebrate life. This theme is woven throughout the record, as the band members trade solos, engage in spirited group improvisations, and explore a range of emotions, from introspection to jubilation.
Legacy and Rarity
Despite its critical acclaim, "Come Blow The Horn" remains a relatively rare and obscure album, highly sought after by collectors and enthusiasts of Swedish jazz. The record's scarcity has contributed to its legendary status, making it a prized find among those who appreciate the nuances of jazz and the cultural heritage of Sweden.
In recent years, the album has been recognized as a classic of Swedish jazz, with many regarding it as a landmark recording that showcases the country's rich musical traditions. As a result, "Come Blow The Horn" has been reissued on various formats, including vinyl and CD, making it more accessible to a wider audience.
Conclusion
Fabodjantan's "Come Blow The Horn" is a captivating jazz album that has stood the test of time. Its unique blend of Swedish folk influences, intricate arrangements, and virtuosic performances makes it a standout in the world of jazz. As a rare and obscure record, it has become a treasured find among collectors and enthusiasts, and its legacy continues to inspire new generations of musicians and listeners alike.
Whether you're a seasoned jazz aficionado or simply looking to explore the rich musical heritage of Sweden, "Come Blow The Horn" is an album that is sure to delight and reward. So, come and blow the horn, and discover the magic of Fabodjantan's 1978 masterpiece.
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Fäbodjäntan (English title: Come and Blow the Horn) is a 1978 Swedish erotic fantasy comedy that remains one of the most culturally notorious films in Sweden's cinematic history. Directed by American erotica auteur Joseph W. Sarno under the pseudonym Lawrence Henning, the film is set against the idyllic, bucolic backdrop of rural Dalarna. Plot and Legend
The story revolves around a local legend in a small Swedish village. According to the tale, Viking men returning from their travels would blow a specific ancient horn to signal their arrival. The sound of this horn supposedly possessed magical properties, causing the village women to become uncontrollably aroused and rush to the shore to meet their returning men.
The film follows Monika (played by Leena Hiltunen), a farm girl who discovers the ancient horn and decides to test the legend. Her actions lead to a series of comedic and surreal events as the village reacts to the reappearance of this mythical sound. Production and Release
Director: Joseph W. Sarno (using the pseudonym Lawrence Henning) Producer: Sture Sjöstedt
Filming Location: The production was shot on location in Skattungbyn, near Orsa, Sweden.
Premiere: The film was first screened in Orsa in September 1978 before moving to its official Stockholm premiere later that month. Cast: Leena Hiltunen: Monika Skoglund Anita Berglund: Britt Kindberg Marie Bergman: Agneta Johansson Knud Jörgensen: Olle Hansson Tomas: Björn Johansson Cultural Context and Style
The film is noted for its high production values compared to other films of the genre during that era, utilizing a naturalistic approach and an amateur cast to create a specific atmosphere. It blends elements of Swedish folklore with the "sexual revolution" themes prevalent in 1970s European cinema. Soundtrack and Legacy
One of the most distinctive features of the film is its soundtrack, which prominently features traditional Swedish folk music. This includes the famous walking tune "Äppelbo gånglåt." The use of traditional music alongside the film's avant-garde and erotic themes created a stark juxtaposition that contributed to its status as a cult classic in Sweden. Over the decades, it has been discussed by film historians as a reflection of the era's liberal attitudes toward sexuality and its intersection with national identity.
Would there be interest in learning more about the filmography of Joseph W. Sarno or the broader cultural history of Swedish cinema during the 1970s?
Fabodjantan - Come Blow The Horn - 1978 - Swe - A Rare Gem of Swedish Folk Music
Tucked away in the depths of Swedish folk music history lies a treasure trove of sounds, waiting to be unearthed by adventurous listeners. Among these hidden gems is the enigmatic Fabodjantan, a group that in 1978 released an album so distinctive, it has become a cult classic: "Come Blow The Horn". This record, steeped in the traditions of Swedish folk music, yet distinctly experimental in its approach, offers a fascinating glimpse into the creative endeavors of Swedish musicians in the late 1970s.
The Origins of Fabodjantan
Fabodjantan, which roughly translates to "The Fåbod Father" in English, is a name that evokes the rural, rustic traditions of northern Sweden. The group, formed in the mid-1970s, consisted of a collection of musicians with a deep-rooted passion for Swedish folk music. Their mission was to explore and expand the boundaries of this genre, incorporating elements from traditional folk, music hall, and even early music into their sound.
"Come Blow The Horn" - A Musical Experiment
Released in 1978 on the Swedish label, Äkta Svenska Låtar, "Come Blow The Horn" is an album that defies easy categorization. At its core, the record is a collection of folk songs, rich in the storytelling and melodic sensibilities that have come to define Swedish music. However, Fabodjantan's approach was anything but conventional. The group employed a wide array of instruments, including the fiddle, accordion, and various forms of Swedish folk instruments, to create a sound that was both nostalgic and forward-thinking.
The album's title track, "Come Blow The Horn", is a prime example of the group's innovative spirit. Featuring a driving rhythm and a catchy melody, the song invites listeners to join in, echoing the communal, participatory nature of traditional folk music. Other tracks on the album explore themes of love, nature, and social commentary, all presented through the lens of Swedish folk traditions.
Influence and Legacy
Despite its initial limited release, "Come Blow The Horn" has had a lasting impact on the Swedish folk music scene. The album's blend of traditional and experimental elements has inspired generations of musicians, both within Sweden and internationally. Artists and bands have cited Fabodjantan as an influence, drawn to the group's fearless approach to genre and their dedication to preserving and innovating within Swedish musical traditions.
Rediscovery and Reissue
In recent years, "Come Blow The Horn" has experienced a resurgence in popularity, as listeners and collectors seek out obscure and influential recordings from the 1970s. The album's reissue on various formats has introduced Fabodjantan's unique sound to a new audience, sparking interest in Swedish folk music and its rich history.
Conclusion
Fabodjantan's "Come Blow The Horn" stands as a testament to the creative spirit of Swedish folk music in the late 1970s. This album, a true rarity of its time, continues to captivate listeners with its blend of tradition and innovation. As a piece of musical history, it reminds us of the power of folk music to evolve and adapt, while remaining rooted in the culture and traditions from which it springs. For fans of Swedish music, experimental folk, and those simply looking to explore new sounds, "Come Blow The Horn" is an essential listen, offering a unique window into a fascinating period of musical exploration and creativity. And keep blowing that horn
By 1978, the golden age of Swedish progressive rock (1971–1976) was fragmenting. Key events:
A 1978 release by an unknown act would likely be: