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Cast: Sophia Loren and Marcello Mastroianni (playing different couples in each segment)
Format: Three distinct short stories set in different Italian cities (Naples, Milan, and Rome) 📌 The Three Stories fylm yesterday today and tomorrow 1963 mtrjm bjwdt alyt
Adelina of Naples: A woman avoids prison by remaining continuously pregnant, supported by her exhausted husband.
Anna of Milan: A wealthy, bored socialite driving a Rolls-Royce must decide between her rich husband and her middle-class lover.
Mara of Rome: A high-class call girl drives a young, impressionable neighbor (a seminary student) crazy with infatuation, leading her to make a vow of abstinence. 🏆 Major Awards 1964 Academy Awards: Winner of Best Foreign Language Film. BAFTA Awards: Marcello Mastroianni won Best Foreign Actor. The phrase "fylm yesterday today and tomorrow 1963
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The film is structured as an anthology, divided into three distinct segments, each set in a different Italian city and representing a different facet of the country's social landscape. While the settings change, the constant remains the magnetic chemistry between Loren and Mastroianni, who play different characters in each story.
1. Adelina of Naples (Yesterday) The first segment is arguably the most famous. Set in the working-class neighborhoods of Naples, it tells the story of Adelina (Loren), a vivacious black-market cigarette seller. To avoid going to prison for unpaid fines, she keeps herself perpetually pregnant, exploiting an old Italian law that forbids the arrest of pregnant women or new mothers. This leads to a hilarious and exhausting cycle for her exhausted husband, Carmine (Mastroianni). It is a brilliant satire of bureaucracy and the ingenuity of the working class. The film is structured as an anthology, divided
2. Anna of Milan (Today) Shifting gears to the industrial north, the second segment offers a critique of the wealthy upper class. Loren plays Anna, a glamorous millionaire bored with her opulent life. While driving her lover Renzo (Mastroianni) in her Rolls-Royce, a trivial accident forces her to confront the emptiness of her existence. This segment is short, sharp, and visually stunning, showcasing the stark contrast between material wealth and emotional fulfillment.
3. Mara of Rome (Tomorrow) The final segment takes place in the bustling capital. Mara (Loren) is a high-end call girl living in a luxurious apartment. Her life intersects with her neighbors: her elderly client (Mastroianni) and a young seminary student whose grandfather is desperately trying to save his soul. This story balances comedy with surprising moments of warmth and morality, challenging the audience's prejudices about character and virtue.
The success of Yesterday, Today and Tomorrow rests heavily on the shoulders of its leads. Sophia Loren is a force of nature, seamlessly transitioning from the scrappy Neapolitan peasant to the sophisticated Milanese socialite and the worldly Roman courtesan. Mastroianni serves as the perfect foil—often bewildered, charmingly passive, or hopelessly in love.
Their chemistry is cinematic history, and the film served as a perfect vehicle to showcase their range. It is no surprise that this film won the Academy Award for Best Foreign Language Film in 1964, cementing its place in history.