Kompilasi Video Dinda Wondergurl Cewek Jilbab 1 Jam Full Better -

| Tanda | Makna Denotatif | Makna Konotatif | |-------|----------------|-----------------| | Hijab warna pastel (mint, lavender) | Penutup kepala | Kesan lembut, “freshness” yang menolak stereotip warna gelap. | | Overlay teks “#HijabCanDance” | Hashtag kampanye | Menegaskan bahwa hijab tidak menghalangi kebebasan ekspresi. | | Transisi “wipe” berbentuk bulan sabit | Simbol Islam | Mengaitkan identitas religius dengan estetika modern. | | Musik EDM dengan vokal bahasa Indonesia | Lagu pop terkini | Menyiratkan integrasi budaya global‑lokal. | | Pose “power‑stance” | Tangan di pinggul, bahu ke belakang | Simbol kekuatan, pemberdayaan perempuan. |

| Metode | Deskripsi | Alat & Sumber Data | |--------|-----------|--------------------| | Content Analysis | Mengkoding setiap klip (≈ 150 klip) berdasarkan kategori: fashion, makeup, dance, humor, edukasi, dan call‑to‑action. | Software NVivo + spreadsheet Excel. | | Semiotic Analysis | Membaca tanda‑tanda visual (warna, gerakan, teks overlay) dan musik latar untuk menafsirkan makna budaya. | Teori Barthes, Eco, dan Hall. | | Audience Reception | Mengumpulkan 5 000 komentar teratas, 10 000 like, serta data view‑through‑rate (VTR) dari YouTube Analytics (jika tersedia) atau platform pihak‑ketiga (Social Blade). | Python (scraping), sentiment analysis (VADER). | | Triangulation | Menggabungkan temuan tiga metode untuk memastikan validitas internal. | — | | Tanda | Makna Denotatif | Makna Konotatif

Batas waktu penelitian: 1 Mei 2024 – 30 Juli 2024. The rise of short‑form video platforms (TikTok, Instagram

The rise of short‑form video platforms (TikTok, Instagram Reels, YouTube Shorts) has facilitated the emergence of “compilation videos” that aggregate dozens of clips into a single, longer‑form piece. This paper examines a popular 1‑hour compilation titled “Dinda Wondergurl – Cewek Jilbab 1 Jam Full Better”. Using a mixed‑method approach (content analysis, audience reception study, and cultural‑semiotic framing), the research investigates: Findings reveal that the compilation functions both as

Findings reveal that the compilation functions both as entertainment (high‑energy montage) and cultural mediation (re‑presenting hijab‑fashion as mainstream, fluid, and aspirational). The paper concludes with recommendations for creators, platform managers, and scholars interested in digital modesty studies.

Keywords: Dinda Wondergurl, compilation video, hijab representation, digital culture, TikTok, Indonesian youth, modest fashion.