Letycia Soares Nua May 2026

Letycia’s first published work appeared in 2017, a chapbook of poems titled “Maré de Silêncios” (Tide of Silences). The collection juxtaposes the rhythmic cadences of coastal life with the quiet suffering of women whose labor remains invisible. Critics praised the book for its lyrical economy and its capacity to “make the unheard audible.”

In the following years, she contributed short stories to several independent literary journals, most notably Canto das Ondas and Vozes do Sertão. Her stories often foreground protagonists who navigate intersecting identities—race, gender, class—within a rapidly urbanizing Brazil. A recurring motif is the tension between migration (both internal and external) and the yearning for rootedness.

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Letycia Soares Nua – A Comprehensive Essay


Armed with international experience, Letycia returned to Brazil in 2020 as the Director of the “Blue Horizons” program at IBEAR. Under her leadership: Letycia Soares Nua is an emerging figure whose


Letycia Soares Nua is an emerging figure whose multifaceted contributions span the realms of literature, social activism, and cultural preservation in contemporary Brazil. Though still early in her public career, her work already exemplifies a dynamic blend of artistic expression, community engagement, and a deep commitment to amplifying marginalized voices. This essay examines Letycia’s background, her artistic trajectory, the thematic core of her writings, her activism, and the broader significance of her emerging presence within Brazilian and global cultural landscapes.


Beyond fiction, Letycia has authored a series of essays on cultural policy, particularly the protection of intangible heritage. Her 2022 essay “Memória em Movimento: Quilombos e a Escrita da Resistência” (Memory in Motion: Quilombos and the Writing of Resistance) argues for a decolonized curriculum that integrates oral histories as primary sources. The piece has been widely cited in academic debates on Afro‑Brazilian education reforms.


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