Chapter 12 serves as the emotional and narrative climax of the relationship arc between the protagonist, Rina, and her second love interest, Arata. This chapter is critical because it deconstructs the "white knight" trope. Arata, who was introduced as a wholesome alternative to the toxic antagonists of the first arc, reveals his own manipulative colors. The chapter highlights Rina’s internal struggle between her desperate need for validation and her dawning realization that she is being molded into an object of control. It is a pivotal moment where the manga asserts its core thesis: that a "good boyfriend" is often just a mask for a different kind of suffocation.
Back in the present, Yuiko does something she has avoided for 11 chapters: she directly asks, "Who was that woman?"
This is the top "finally" moment for veteran readers. For once, the passive protagonist takes the steering wheel. Asano’s response is textbook avoidant: "A colleague. We were discussing a project." manga soredemo ashita mo kareshi ga ii chapter 12 top
But Yuiko notices he doesn’t deny the intimacy. The panel composition here is masterful—two close-up shots of their eyes, separated by a vertical line of gutter space. The tension is palpable.
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To understand the gravity of Chapter 12, one must understand the trajectory of the protagonist, Rina.
The chapter opens with a continuation of the intimate atmosphere established in the previous chapter. Arata and Rina are in a setting that implies safety (often his apartment or a private space). Arata’s demeanor is gentle, but the internal monologue of Rina begins to clash with the external dialogue. For once, the passive protagonist takes the steering wheel
Rina is waiting for the "other shoe to drop." Her trauma from previous relationships makes her hyper-vigilant. In Chapter 12, she begins to realize that Arata’s gentleness feels like a cage. He praises her for being "pure" or "different," but Rina realizes this praise is conditional on her behaving exactly how he wants.