As of 2026, the ok.ru video is still accessible (though region-locked in some countries). Search for: "Olyan mint otthon 1978 magyar film" on ok.ru. Expect rough quality, no subtitles (unless you understand Hungarian or Russian), and a runtime of approximately 52 minutes.
Why watch it? Because lost media like this offers a raw, unfiltered look at everyday life in late Kádár-era Hungary—unpolished by official cinematic glory, preserved only by an anonymous uploader’s nostalgia.
Without entry in the Hungarian Film Archive’s public database, skepticism is warranted. Some believe "Olyan mint otthon" might be a misremembered episode of a TV series like "Ház az éjszakában" (House in the Night) or a student film mistakenly dated 1978.
Alternatively, it could be a lost TV play that never aired nationally—only regionally or as part of a closed broadcast for workers’ clubs. The ok.ru file may be the only surviving copy.
That year saw the release of classics like:
However, no major theatrical feature called Olyan, mint otthon appears in the National Film Institute’s database or any online Hungarian film archive.
site:ok.ru "olyan mint otthon"
site:ok.ru "1978" "magyar film"
Ok.ru (formerly Odnoklassniki) is a Russian social network that hosts a vast, user-uploaded archive of films, especially those from Eastern Europe, the Soviet Union, and arthouse cinema.
To watch Olyan Mint Otthon (1978) on OK.ru:
Note: Because these uploads are user-generated, they may occasionally be removed for copyright reasons. However, due to the lax enforcement on older Eastern European films, they often remain accessible for years. olyan mint otthon 1978 ok.ru
To appreciate Olyan Mint Otthon, one must understand its director. Márta Mészáros was one of the first women to gain international recognition as a film director in the communist era. As a Hungarian who spent part of her childhood in the Soviet Union, Mészáros had firsthand experience with displacement.
Her films are known for their feminist perspective and psychological depth. Unlike the male-dominated narratives of the Hungarian New Wave, Mészáros focused on women’s interior lives, motherhood, and the scars left by political exile. Olyan Mint Otthon fits perfectly into her "Diary" film series, serving as a companion piece to her famous Adoption (1975) and Nine Months (1976).
The story of the 1978 Hungarian film Olyan mint otthon (released internationally as Just Like at Home), directed by Márta Mészáros, is a poignant exploration of loneliness, displacement, and the unconventional family bonds formed by "rootless" people. The Return of András
The narrative follows András Novák (played by Jan Nowicki), an unhappy and temperamental man who returns to his native Hungary after spending several years in the United States. Despite his boasts about his American life—including living on the 44th floor of a New York apartment—he finds himself a stranger in his own country. He has lost his wife, his job, and his sense of purpose. He attempts to rekindle a relationship with his former great love, Anna (played by Anna Karina), but she has moved on and is hesitant to let him back into her life. An Unlikely Meeting
Seeking companionship, András decides to buy a dog, which leads him to a rural village and a meeting with a young, rebellious girl named Zsuzsi (Zsuzsa Czinkóczi). Zsuzsi is a child of few words, hardened by a difficult home life as one of seven children with a violent father. After András buys her Hungarian puli sheepdog from her mother, Zsuzsi refuses to let go of her pet and follows him back to Budapest. Finding a New Home
András eventually takes on the role of a surrogate father for Zsuzsi, convincing her parents to let her stay with him so she can receive a better education. Their relationship is the heart of the film:
A Unique Bond: They are two isolated souls—András, who hides his vulnerability behind tall tales, and Zsuzsi, who is mature beyond her years and self-sufficient out of necessity.
Simple Joys: The story highlights quiet moments, such as the two listening to music together, András helping her with homework, or washing her hair.
Rivalry and Growth: A tension develops between the child and Anna as András tries to balance his old flame with his new responsibility. Mészáros contrasts Anna’s sophisticated, tender interactions with Zsuzsi’s pure, uncomplicated love. The Conclusion As of 2026, the ok
The film avoids a "tidy" or traditionally happy ending. Instead, it concludes with a powerful scene where András’s internal pain and lack of control finally erupt, terrifying Zsuzsi even as she tries to support him. The story finishes by emphasizing that for these troubled individuals, "home" is not a physical place but the fleeting, meaningful connections they manage to forge with one another. Just Like at Home (1978) - Letterboxd
Olyan mint otthon (Just Like at Home) is a 1978 Hungarian drama directed by Márta Mészáros that explores themes of displacement, loneliness, and unconventional family structures. The film follows András, a man returning to Hungary, who forms a deep, surrogate father-daughter bond with a rebellious young girl named Zsuzsi. Watch the film on AI responses may include mistakes. Learn more Just like Home (1978) - IMDb
The search for a "draft feature" titled Olyan mint otthon (1978) on OK.ru refers to the Hungarian film Just Like at Home (original title: Olyan, mint otthon ), directed by Márta Mészáros The film is available on (often under the English title Just Like at Home You Are Not Alone
), where users frequently share digitised versions of classic Eastern European cinema. Film Overview: Just Like at Home (1978) Márta Mészáros Jan Nowicki, Zsuzsa Czinkóczi, Anna Karina
The story follows András, a scientist returning to Hungary after years in America. He struggles to reconnect with his past and forms an unexpected, platonic bond with a young girl, Zsuzsi, who helps him navigate his feelings of displacement. It won the Silver Shell
at the San Sebastian International Film Festival in 1978. It is noted for its quiet, psychological depth and its exploration of the "prodigal son" motif within the social landscape of 1970s Hungary. Drafting a Feature or Review
If you are drafting a "feature looking at" this film, here are key angles to explore: The Mészáros Aesthetic:
Focus on her signature style—long takes, focus on female perspectives (even when the lead is male), and a gritty yet poetic realism. The Theme of Return:
Discuss the "brain drain" and the emotional toll of returning to a socialist homeland after experiencing the West. Dynamic Performances: However, no major theatrical feature called Olyan, mint
Highlight the chemistry between the veteran actor Jan Nowicki and the young Zsuzsa Czinkóczi, who also starred in Mészáros's acclaimed scene-by-scene breakdown of the film for your draft?
Видео You.Are.Not.Alone.1978.BluRay.720p.700MB.Ganool | OK.RU 8 Dec 2017 —
Видео You. Are. Not. Alone. 1978. BluRay. 720p.700MB. Ganool | OK.RU. Одноклассники
Видео You.Are.Not.Alone.1978.BluRay.720p.700MB.Ganool | OK.RU 8 Dec 2017 —
Видео You. Are. Not. Alone. 1978. BluRay. 720p.700MB. Ganool | OK.RU. Одноклассники
Olyan mint otthon Just Like Home ) is a poignant 1978 Hungarian drama directed by the pioneering filmmaker Márta Mészáros
. The film is celebrated for its sensitive exploration of displacement, loneliness, and the unconventional bonds formed between "lost souls". Plot Summary
The story follows András (played by Jan Nowicki), a man in his forties who returns to Hungary after several unsuccessful years living in the United States. Upon his return, he finds himself a stranger in his own life; his former lover, Anna (Anna Karina), refuses to renew their relationship, and he feels alienated from his parents and his past.
While staying at his parents' house in the countryside, András's life takes an unexpected turn when he meets Zsuzsi (Zsuzsa Czinkóczi), a rebellious and lonely young village girl. The two form an unlikely but deep surrogate father-daughter bond, providing each other with the sense of belonging and love they had both been lacking. Key Cast and Crew Márta Mészáros András Novák: Jan Nowicki Zsuzsa Czinkóczi Anna Karina Cinematography: Lajos Koltai Critical Recognition and Themes