Suicideboys Discography
Don’t shuffle. The discography is a therapy session, not a jukebox.
The Verdict: $uicideboy$ turned their trauma into a subscription service. While mainstream rap chased luxury, they chased the dragon—and eventually, sobriety. Their discography is bloated by design, chaotic by necessity, and brilliant because it never pretended to be anything other than two cousins from New Orleans screaming into the void.
Grey ‘til the grave.
The discography of u i c i d e b o y is massive, consisting of five studio albums, dozens of mixtapes, and their signature Kill Your$elf
EP series. To navigate it, it's best to break it down by era, from their underground beginnings to their recent Billboard-topping releases. 1. The Foundation: Kill Your$elf Sagas (2014–2017)
The duo gained a massive cult following through these short EPs. There are in total, often grouped into blocks. The Early Sagas (I–X):
Defined by raw, Lo-Fi production and heavy Memphis rap influences. The Later Sagas (XI–XX):
Features more polished production and diverse sounds, including the "Kingdom Come" and "Atlantis" sagas. 2. The Breakthrough Mixtapes (2015–2017)
During this prolific period, they released several projects that defined the "Dark Trap" genre. Essential listening includes: A fan favorite featuring "Clouds as Witnesses." My Liver Will Handle What My Heart Can't Includes their viral hit "Kill Your$elf (Part III)". Eternal Grey
Widely considered one of their best mixtapes, featuring a more aggressive sound. Apple Music 3. Studio Albums (2018–Present)
The studio albums represent their transition from underground icons to mainstream stars, often focusing on themes of sobriety and mental health. I Want to Die in New Orleans
Their debut studio album, featuring a cinematic, dark atmosphere. Long Term Effects of SUFFERING Features the hit "Avalon". Sing Me a Lullaby, My Sweet Temptation
Showcases a more melodic side with tracks like "Matte Black". New World Depression
Their fourth album, continuing their streak of high-charting releases. Thy Kingdom Come
Their most successful project to date, debuting at #4 on the Billboard 200 4. Essential Collaborative EPs ide $uicide A collaborative EP with that helped launch them into the spotlight. DIRTIERNASTIER$UICIDE The final installment of their trilogy with SHAMELESS $UICIDE A high-energy collaboration with Where to Start? If you're a new listener, start with the u i c i d e b o y playlist on Apple Music , then dive into Eternal Grey I Want to Die in New Orleans to understand their range. Apple Music $UICIDEBOY$ | Rap/Hiphop Wiki | Fandom
Early Mixtapes (2014-2015)
Rise to Fame (2015-2017)
Mainstream Success (2017-2020)
Recent Releases (2020-Present)
Notable Singles
The Suicideboys have released numerous mixtapes, EPs, and singles throughout their career, and have collaborated with various artists. Their discography is a testament to their prolific output and dedication to their craft.
The discography of u i c i d e b o y is extensive, characterized by a massive volume of EPs (often released as sagas) alongside their studio albums and mixtapes. All of their music is released under their own label, G*59 Records Studio Albums I Want to Die in New Orleans Long Term Effects of Suffering Sing Me a Lullaby, My Sweet Temptation New World Depression Thy Will Be Done Major Mixtapes 7th or St. Tammany YungDeathLilLife High Tide in the Snake's Nest My Liver Will Handle What My Heart Can't Now the Moon's Rising Dark Side of the Clouds Eternal Grey Stop Staring at the Shadows Collaborative EPs Black $uicide
(with Black Smurf) — Includes Side A, Side B, and Side C (2015–2016). G.R.E.Y.G.O.D.S. (with Ramirez) — Includes Part I and II (2015–2016). DirtyNast$uicide (with Germ) — Includes Part I, II, and DirtierNastier$uicide (2016–2022). Shameless $uicide (with Shakewell) (2023). The "Kill Yourself" Sagas
The duo released 20 numbered EPs under the "Kill Yourself" title between 2014 and 2017. Notable entries include: The Budd Dwyer Saga The Resurrection Saga (Part VIII) The Kingdom Come Saga The Infinity Saga Other Notable EPs I No Longer Fear the Razor Guarding My Heel
— A series of EPs (Parts I through V) featuring continuous multi-song tracks. Radical $uicide Grey Sheep — Parts I and II (2015–2016).
The discography of u i c i d e b o y , the New Orleans-born duo comprised of cousins Ruby da Cherry
, is a sprawling, prolific journey through the darkest corners of the human psyche. Since their formation in 2014, they have built an independent empire, G*59 Records
, on the foundation of raw, unfiltered explorations of addiction, depression, and nihilsm. Their work can be understood through three distinct phases: the "SoundCloud Era" explosion, the era of major studio evolution, and their more recent shift toward recovery and sobriety. The Foundation: The Kill Yourself Sagas
The duo’s early catalog is defined by its sheer volume and relentless pace. In 2014 alone, they released seven EPs, starting with "Kill Yourself Part I: The $uicide $aga"
. These early projects established their signature sound: a blend of dark, phonk-inspired production, distorted bass, and rapid-fire verses that drew heavily from Southern rap roots and Three 6 Mafia influences. By the end of 2017, they had completed 20 installments of the "Kill Yourself"
sagas, creating a massive, loyal underground fan base that saw their music as an authentic reflection of shared struggle. Studio Evolution and Mainstream Breakthrough
While their early work was defined by EPs and mixtapes, their debut studio album, "I Want to Die in New Orleans"
(2018), marked a pivotal shift toward higher production value and more cohesive storytelling. This album captured the chaotic reality of their rising fame while still battling the same internal demons that fueled their underground days. Subsequent projects like "Stop Staring at the Shadows" (2020) and "Long Term Effects of SUFFERING"
(2021) continued this trajectory, cementing them as a force that the traditional music industry could no longer ignore. Recovery and New Horizons
In recent years, the duo’s music has undergone its most profound transformation. Following a personal intervention and successful journey into sobriety for both members, their lyrical focus shifted toward recovery and self-reflection. "Sing Me a Lullaby, My Sweet Temptation"
(2022) is often cited as their "gentlest" work, featuring more melodic backdrops and bars that contemplate the pitfalls of their earlier, addiction-fueled mythology. "New World Depression"
(2024) continued this evolution, debuting at #1 on the Top R&B/Hip-Hop Albums Chart and proving that their fans remain as devoted to their healing as they were to their pain.
A Comprehensive Review of the $uicideboy$ Discography
The discography of $uicideboy$ (Ruby da Cherry and Scrim) is one of the most fascinating, erratic, and influential bodies of work in modern hip-hop. Emerging from the New Orleans underground, the duo built an empire on a foundation of nihilism, addiction, and distorted production. Suicideboys Discography
To review their discography is to accept a duality: they are simultaneously technical rap heavyweights and punk-rock performance artists. Their output can be divided into distinct eras, each marking a shift in their sonic evolution.
Here is a breakdown of the $uicideboy$ discography.
An interactive, visual timeline of all Suicideboys projects (mixtapes, EPs, studio albums, singles, and side solo work by $crim and Ruby da Cherry).
Suicideboys$ have built a vast and diverse discography throughout their career. With a strong foundation in hip hop and cloud rap, they continue to produce and release new music, pushing the boundaries of their unique sound. This comprehensive overview showcases their extensive catalog, highlighting their growth and evolution as artists.
The discography of the New Orleans duo uicideboyu i c i d e b o y
(comprised of cousins Ruby da Cherry and $crim) is one of the most prolific in modern underground hip-hop. Since their formation in 2014, they have released several studio albums and dozens of sagas and EPs, most of which are self-produced under $crim’s pseudonym, Budd Dwyer. Studio Albums
Their studio albums often mark significant shifts in their sound and commercial success:
I Want to Die in New Orleans (2018): Their debut studio album, which reached the top 10 on the Billboard 200.
Long Term Effects of Suffering (2021): A successful follow-up that continued their exploration of themes like drug addiction and depression.
Sing Me a Lullaby, My Sweet Temptation (2022): Further solidified their mainstream presence.
New World Depression (2024): Their most recent major studio release. The "Kill Yourself" Sagas
A cornerstone of their early career is the Kill Yourself series. These are short, themed EPs (often containing three tracks) that they released in rapid succession.
The Early Sagas (I–X): Released primarily in 2014 and 2015, establishing their "dark trap" and Memphis-inspired sound.
The Later Sagas (XI–XX): Released in 2017, featuring more refined production and experimental structures. Mixtapes and EPs
The duo released a massive wave of mixtapes between 2015 and 2017 that defined their "SoundCloud era": Gray/Grey (2015) 7th or St. Tammany (2015) My Liver Will Handle What My Heart Can't (2015)
Eternal Grey (2016): Often cited by fans as one of their most iconic underground projects.
Radical $uicide (2016): Produced entirely by Getter, featuring the hit song "Memoirs of a Gorilla." Collaborative Projects G.R.E.Y.G.O.D.S. Series: Collaborations with Ramirez. DIRTIESTNASTIEST$UICIDE: A trilogy of EPs with Germ.
Live Fast, Die Whenever: A hardcore punk-influenced EP with Travis Barker. Shameless $uicide: A 2023 collaboration EP with Shakewell. Solo Discography
Both members have released solo work under various monikers: Don’t shuffle
$crim: Released the solo album A Man Rose from the Dead (2020) and Lonely Boy (2024).
Ruby da Cherry: Released the punk/emo-influenced album tragic love songs to self-destruct to (2023) under the name DUCKBOY.
The uicideboyu i c i d e b o y discography is one of the most prolific and influential catalogs in modern underground hip-hop. Since their formation in 2014, the New Orleans duo—consisting of cousins Aristos Petrou (Ruby da Cherry) and Scott Arceneaux Jr. ($crim)—has built an expansive empire through their independent label, G*59 Records.
Blending gritty Memphis rap-inspired production, heavy metal aesthetics, and raw lyricism about addiction and mental health, the duo has released over 6 studio albums, dozens of EPs (most notably the Kill Yourself sagas), and several collaborative mixtapes. 💿 Major Studio Albums
The duo's transition from SoundCloud pioneers to Billboard-charting artists is best charted through their full-length studio releases. 1. I Want to Die in New Orleans (2018) Release Date: September 7, 2018
Significance: Their debut studio album marked a major commercial breakthrough. It captured the dark, claustrophobic reality of their sudden rise to fame, featuring standout tracks like "Carrollton" and "Meet Mr. NICEGUY". 2. Long Term Effects of Suffering (2021) Release Date: August 13, 2021
Significance: Released during a critical evolution in the duo's sound, this album showcased more polished, atmospheric trap beats while maintaining their signature introspective lyrics. Top tracks include "...And to Those I Love, Thanks for Sticking Around". 3. Sing Me a Lullaby, My Sweet Temptation (2022) Release Date: July 29, 2022
Significance: A highly introspective project that delves deeply into their journey with sobriety and overcoming personal demons. It earned critical acclaim for tracks like "Matte Black" and "Not Even Ghosts Are This Empty." 4. New World Depression (2024) Release Date: June 14, 2024
Significance: A heavy, alternative hip-hop record that confronts the isolation of their success. Notable singles include "Us Vs. Them". 5. Thy Kingdom Come (2025)
The discography of New Orleans duo uicideboyu i c i d e b o y
(cousins Ruby da Cherry and $crim) is a massive, multifaceted body of work that pioneered the SoundCloud rap movement through a blend of horrorcore, trap, and lo-fi aesthetics. Spanning dozens of EPs, mixtapes, and studio albums, their music serves as a raw, unfiltered journal of addiction, nihilism, and eventual recovery.
The Foundation: EPs and The Kill Yourself Sagas (2014–2017) In their early years, uicideboyu i c i d e b o y
released music at a prolific rate, primarily through independent EPs and mixtapes under their label, G*59 Records. The bedrock of this era is the Kill Yourself Sagas, a 20-part series of short EPs (I through XX) released between 2014 and 2017.
The Evolution of u i c i d e b o y : A Discography Deep Dive
From a New Orleans "shed" to the top of the Billboard charts, cousins Ruby da Cherry
have built an underground empire on raw vulnerability and a relentless work ethic . Operating under their independent G*59 Records
label, the duo has released nearly 50 projects, transitioning from dark, lo-fi "horrorcore" to more experimental, melodic sounds. The Studio Albums
While their early fame was built on SoundCloud mixtapes, their official studio albums represent major career milestones.
The discography of uicideboyu i c i d e b o y is a massive, evolving archive of independent artistry that spans over 50 projects, ranging from lo-fi underground EPs to chart-topping studio albums. Cousins Ruby da Cherry and $crim formed the duo in New Orleans in 2014, famously making a pact to succeed in music or end their lives—a "suicide pact" that gave the group its name and set the high-stakes, raw emotional tone for their entire body of work. The Underground Foundation (2014–2017) The Verdict: $uicideboy$ turned their trauma into a
The duo’s early era is defined by an incredibly prolific output, primarily released through their own independent label, G*59 Records. This period was dominated by the Kill Yourself sagas—a series of 20 EPs that established their signature blend of Memphis rap-inspired phonk, horrorcore, and "emo rap". $uicideboy$ Albums and Discography - Genius
Here’s a feature concept for a Suicideboys Discography Explorer — designed for a fan site, music app, or data visualization project.