Taboo Vii The Wild And The Innocent 1989 Ful Extra Quality [WORKING]

In the late 80s, the Taboo franchise was already a legend in adult cinema. Known for pushing the boundaries of narrative and taboo subjects (no pun intended), the series had evolved from its groundbreaking 1980 origins into a sprawling family saga.

By the time Taboo VII: The Wild and the Innocent hit shelves in 1989, the VHS boom was at its peak. But for collectors, there was always one holy grail: the “Extra Quality” pressing.

For the uninitiated, the “Extra Quality” (often stamped in gold foil on the clamshell case) wasn’t just marketing hype. In the 1989 distribution run, a small batch of these tapes were mastered directly from the original interpositive film print rather than a third-generation dupe. taboo vii the wild and the innocent 1989 ful extra quality

Why does that matter today?

To understand why this keyword haunts collectors, we must examine the state of adult film in 1989: In the late 80s, the Taboo franchise was

A "ful extra quality" (probably "full extra quality") suggests a rare source: perhaps a laserdisc (which offered 425+ lines of resolution vs. VHS’s 240), a Japanese LD transfer, or a beta SP master tape.

Directed by the prolific John T. Bone (credited under a pseudonym), this chapter moved away from the strict family dynamics of the first four films. Instead, The Wild and the Innocent focused on the classic duality: a naive newcomer (The Innocent) corrupted by a jaded city-dweller (The Wild). A "ful extra quality" (probably "full extra quality")

The film starred two icons of the late golden era: Victoria Paris as the fiery “Wild” and Tom Byron as the conflicted male lead. What set this entry apart was its surprisingly competent cinematography. Shot on 35mm film at a time when many studios were switching to cheaper video, Taboo VII had a theatrical sheen.