Waves Plugins Adobe Audition 1.5 Official
Waves plugins are a widely used suite of audio-processing tools—EQs, compressors, reverbs, limiters, noise reduction, pitch and time tools, and specialty processors—commonly applied in music production, mixing, mastering, and post-production. Adobe Audition 1.5, released in the mid-2000s, is a multitrack audio editor and waveform editor that supports third-party VST (Virtual Studio Technology) effects and instruments. This paper outlines Waves plugin compatibility and usage with Audition 1.5, installation and setup procedures, practical workflows, common issues and solutions, and best-practice recommendations for mixing and mastering.
Here is the exact step-by-step process for Windows (the most common setup for Audition 1.5 fans):
Troubleshooting: If plugins crash on scan, move all Waves VSTs to a secondary folder, scan, then move them back one bundle at a time.
Not every Waves plugin is useful for Audition 1.5. Because Audition’s workflow is heavily focused on destructive editing (Edit View) and multitrack mixing, you want plugins that excel at:
Audition 1.5 has two distinct modes. Waves plugins work differently in each.
Waves plugins and Adobe Audition 1.5 are a match made in legacy audio heaven. While you cannot run the latest "Clarity Vx" or "Silk Vocal" due to 64-bit requirements, the classic Renaissance and Restoration bundles turn Audition 1.5 into a professional mastering suite.
If you are restoring family tapes, producing a nostalgia podcast, or just love the speed of old software, install Waves v9 today. You’ll realize that great audio engineering isn't about the newest version number—it’s about the ears operating the tools.
Call to Action: Dust off that old Windows XP or 7 machine, install Audition 1.5, and pick up a second-hand Waves v9 license. Your mixes will thank you.
Keywords used: Waves plugins Adobe Audition 1.5, VST 2.4, Renaissance Vox, Restoration Bundle, X-Noise, 32-bit audio, legacy DAW, broadcast mixing, noise reduction.
Title: The Anachronistic Alchemist: Waves Plugins and the Strange Eternity of Adobe Audition 1.5
Introduction: The Digital Pleistocene To the modern audio engineer, the mention of Adobe Audition 1.5 evokes a specific, sepia-toned nostalgia. Released in 2004, it was the final iteration of the software before Adobe rebranded it from its origins as Cool Edit Pro, and just before the company pivoted toward the video-centric Audition 3. It was an era of Windows XP, CRT monitors, and a wild-west philosophy of digital signal processing. In this landscape, the intersection of Adobe Audition 1.5 and Waves plugins represents a fascinating, albeit unstable, marriage of utility and ambition. It was a time when the "plugin chain" was a fragile thing, held together by hope and Processing Power, where the introduction of a Waves Renaissance EQ could turn a stable session into a lesson in CPU management.
The Host: A Container of Ghosts Adobe Audition 1.5 was, fundamentally, a different beast than the DAWs (Digital Audio Workstations) of today. It lacked the robust session handling of Pro Tools or the MIDI fluidity of Cubase. It was an editor’s tool—a "destructive" waveform sculptor at heart. The concept of "real-time" effects was still somewhat of a luxury; much of the work in 1.5 was done by applying effects permanently to the waveform, rendering the change, and hitting "Save."
However, Audition 1.5 did support DirectX plugins (and VSTs via a wrapper, though native VST support was tenuous). This was the gateway. For users accustomed to the built-in Adobe effects—which were functional but mathematically dry—the introduction of Waves plugins was like switching from a kitchen knife to a surgical laser. It transformed a functional audio editor into a semi-professional mixing environment.
The Guest: Waves in the Golden Age In the mid-2000s, Waves Audio was arguably at the peak of its reputation as the industry standard. This was the era of the "Renaissance Collection"—the R-EQ, R-Vox, and R-Comp. It was also the era of the early L3 Ultramaximizer and the hulking graphical interfaces of the SSL 4000 and API collections.
The aesthetic of Waves plugins from this era contrasted sharply with the utilitarian, gray interface of Audition 1.5. While Audition looked like a spreadsheet designed by Microsoft, Waves plugins looked like physical hardware; they possessed skeuomorphic LED meters that bounced with satisfying precision and virtual knobs that begged to be turned. Dropping a Waves C1 Compressor into the Adobe effects rack was not just a technical action; it was a psychological shift. It signaled that the user was no longer merely "editing audio"—they were "mixing."
The Friction: The Architecture of Instability The relationship between Audition 1.5 and Waves was not a smooth one. This combination exposes the fragility of early 32-bit architecture. Audition 1.5 was notoriously sensitive to plugin overhead. The "Multitrack View" in Audition was not a non-linear editor in the modern sense; it struggled to process heavy plugin chains in real-time without introducing latency or, more frequently, crashing the application entirely.
Engineers of that era developed a specific workflow to accommodate this friction: the "Preview and Render" method. Because running a Waves IR-1 Convolution Reverb in real-time was often a suicide mission for the CPU, users would open the plugin, tweak the settings in the preview window, and apply it destructively to the clip. This workflow forced a discipline that is lost in modern production: commitment. In Audition 1.5 with Waves, you had to commit to the sound. There was no endless "option paralysis" of toggling plugins on and off for weeks. You printed the reverb, you printed the compression, and you moved on.
The Sound of 2004 There is a specific sonic signature associated with this combination. Audition 1.5 had a clean, arguably sterile internal engine. Waves plugins, particularly the L1 and L2 Ultramaximizers, offered the "glue" that held the digital harshness of the early 2000s together.
The primary use case for this duo was often broadcast and voice-over. Audition 1.5 was the darling of radio producers and podcasters (before podcasting had a name). The Waves C1 Gate and the DeEsser were vital tools for cleaning up the noise floor of cheap condenser microphones. The combination defined the sound of early internet radio and indie voice production: a crushed dynamic range, a heavy high-frequency boost from the Waves REQ, and the brick-wall limiting of the L2. It was a "loudness war" sound, aggressive and present, engineered to cut through the static of early streaming audio.
Legacy and Obsolescence Looking back, the pairing of Waves and Adobe Audition 1.5 serves as a historical marker for the evolution of software audio. It highlights a time when the VST/DirectX standard was still somewhat lawless. Waves plugins from that era were protected by iLok or challenge-response copy protection that often caused headaches on XP machines. Furthermore, as Waves updated their plugins to version 5, 6, and beyond, compatibility with the aging Audition 1.5 frayed.
Eventually, Adobe moved Audition to the Creative Cloud, neutering its MIDI capabilities and focusing on post-production video integration. Meanwhile, Waves ballooned into a massive catalog, eventually facing criticism for high prices and complex licensing. But in that brief window of 2004-2006, the duo represented the "pro-sumer" dream—a setup that cost a fraction of a Pro Tools HD rig but could deliver radio-ready results.
Conclusion The story of Waves plugins in Adobe Audition 1.5 is a story of transition. It captures the moment when software began to truly emulate hardware, and when the home studio began to threaten the dominance of professional facilities. It was a volatile, crash-prone, and frustrating era, but it produced a generation of engineers who learned to respect their CPU limits and to trust their ears before trusting the screen. While the software is now obsolete, the echoes of the mixes created in that grey, XP-era interface can still be heard in the archives of early digital audio.
Using Waves plugins with Adobe Audition 1.5 is a "vintage" setup that requires specific handling of legacy formats. Because Audition 1.5 was released in 2004, it operates on a 32-bit architecture and primarily uses the older plugin standards. Compatibility & Requirements Legacy Versions:
You generally cannot use the newest Waves versions (V15+) with Audition 1.5. You typically need older versions, such as Waves V9 or earlier , which still provided 32-bit support. Bridge Tools:
If you are trying to use modern 64-bit Waves plugins, you will need a wrapper like to make them visible to the 32-bit Audition environment. DirectX vs. VST:
Waves used to rely heavily on the "Waveshell" system. In Audition 1.5, Waves plugins often appeared under the effects menu rather than the VST menu. How to Install and Link Installation:
Install your Waves bundle using the legacy installer that matches your license version. WaveShell Location: Ensure the file WaveShell-VST [version].dll is located in your Audition 1.5 "Plug-ins" folder (usually C:\Program Files (x86)\Adobe\Audition 1.5\Plugins Refresh Effects: Open Audition 1.5. Effects > Refresh Effects List If they don't appear, go to Effects > Enable DirectX Effects and ensure the Waves entries are checked. You may need to use the VST Manager
(found in the Effects menu) to manually point Audition to the folder containing your WaveShell. Best Practices for This Setup The Effects Rack:
Use the "Effects Rack" in Multitrack view to stack Waves plugins. This allows you to adjust settings in real-time before "locking" or mixing down the track. CPU Management:
Audition 1.5 lacks the optimized multicore processing of modern DAWs. Heavy Waves plugins (like the L3-LL Multimaximizer
) can quickly spike your CPU usage; consider "destructive" processing in the Waveform view to save resources. Stereo vs. Mono:
Ensure you are using the "Mono" version of a plugin on a mono track; loading a "Stereo" Waves plugin on a mono track in Audition 1.5 can sometimes cause crashes or silent output. For modern troubleshooting or if you're upgrading, Adobe's Support Pages
provide details on how the software has evolved since the 1.5 version. Adobe Help Center Are you having trouble with specific plugins not showing up, or are you looking for a mixing guide using this specific software? Save and export audio files in Audition - Adobe Help Center
Unlock the Full Potential of Adobe Audition 1.5 with Waves Plugins
Adobe Audition 1.5 is a powerful digital audio workstation that offers a wide range of tools and features for audio editing, mixing, and mastering. However, to take your audio productions to the next level, you need to integrate the industry-leading Waves plugins into your workflow. In this article, we'll explore the benefits of using Waves plugins in Adobe Audition 1.5 and highlight some of the most popular plugins that can elevate your audio productions. waves plugins adobe audition 1.5
Why Waves Plugins?
Waves is a renowned brand in the audio industry, synonymous with high-quality plugins that are used by top producers, engineers, and musicians worldwide. Their plugins are designed to deliver exceptional sound quality, intuitive interface, and unparalleled flexibility. By integrating Waves plugins into Adobe Audition 1.5, you can:
Top Waves Plugins for Adobe Audition 1.5
Here are some of the most popular Waves plugins that can be used in Adobe Audition 1.5:
How to Use Waves Plugins in Adobe Audition 1.5
Using Waves plugins in Adobe Audition 1.5 is straightforward. Here's a step-by-step guide:
Tips and Tricks
Here are some tips and tricks to get the most out of Waves plugins in Adobe Audition 1.5:
By incorporating Waves plugins into your Adobe Audition 1.5 workflow, you can take your audio productions to new heights. With their high-quality sound, intuitive interface, and unparalleled flexibility, Waves plugins are the perfect addition to your audio editing toolkit.
Using Waves plugins with Adobe Audition 1.5 is a classic "legacy" setup. Because Audition 1.5 is nearly two decades old, it relies on older plugin architectures and specific installation steps to work correctly with modern (or even period-appropriate) Waves bundles. Compatibility Requirements Architecture: Audition 1.5 is a 32-bit application.
Plugin Format: It primarily supports DirectX (DX) and VST 2.4.
Waves Version: Older versions like Waves v4, v5, or v9 (32-bit) are most stable.
WaveShell: Waves uses a "WaveShell" file to bridge its plugins into your DAW. Installation & Setup
Install Waves: Run your Waves installer and ensure you select the 32-bit VST or DirectX versions.
Locate WaveShell: Find the WaveShell-VST.dll file in your Waves installation folder. Link to Audition: Open Audition 1.5 in Multiview or Edit mode. Go to Effects > Refresh Effects List.
If they don't appear, go to Options > Settings > VST Directory. Point this to the folder containing your WaveShell. The "Organize" Step: Go to Effects > Organize Effects.
Find the Waves entries in the list and move them to the "Enabled" column. Common Issues
Missing Plugins: If the WaveShell is 64-bit, Audition 1.5 will never see it.
Crashing on Startup: Audition may crash while scanning plugins. If this happens, hold Shift while the program starts to bypass the scan, then remove the problematic plugin from the VST folder.
DirectX vs. VST: VST is generally more stable in Audition 1.5. If the DX versions cause issues, disable them in the "Organize Effects" menu. 💡 Pro Tip
Adobe Audition 1.5 often struggles with high-resolution scaling. If you are using Waves v10 or newer, the plugin interfaces may appear tiny or glitchy due to the lack of modern High-DPI support in the software.
If you are having trouble getting a specific Waves bundle to show up, or if you're getting a registry error during the scan, let me know the version of Waves you're using.
While Adobe Audition 1.5 is a legacy application, you can still integrate Waves VST plugins by manually pointing the software to your plugin directories. To ensure compatibility, you generally need to use older 32-bit versions of Waves plugins, as Audition 1.5 does not natively support modern 64-bit VST3 formats used by current Waves versions. How to Install and Scan Waves Plugins
To use Waves plugins in Adobe Audition 1.5, you must first install them via Waves Central and then configure Audition to recognize the VST directories. Because Audition 1.5 is a legacy 32-bit application, you typically need older versions of Waves (like ) for compatibility with older operating systems. 1. Installation via Waves Central
Before opening Audition, ensure your plugins are installed and licensed. Download & Install Waves Central from the official Waves website : Use your Waves account credentials to log in. Install & Activate : Navigate to the Install Products Easy Install & Activate
section, select your purchased plugins (e.g., Waves Gold Bundle), and click Install and Activate Check Licenses
: Verify that your licenses are active on your computer or a USB drive under the tab in Waves Central. 2. Configuring Adobe Audition 1.5
Once installed, you must point Audition to the correct VST folder so it can scan for the new effects. Open Edit View : Launch Adobe Audition 1.5 and ensure you are in the Add VST Directory Add/Remove VST Directory and navigate to your Waves VST folder (usually C:\Program Files (x86)\VSTPlugins or a dedicated Waves folder). Refresh Effects List menu again. Refresh Effects List
Audition will scan the designated folders; once complete, your Waves plugins will appear under the category in the effects menu. 3. Essential Waves Plugins for Audition 1.5
Users frequently recommend these specific Waves plugins for enhancing audio quality in legacy setups:
Using Waves plugins with Adobe Audition 1.5 requires careful attention to version compatibility, as the software is a legacy 32-bit application released nearly two decades ago. While modern Waves versions (V12 and above) primarily support 64-bit VST3 formats, older versions like Waves V9 are essential for compatibility with 32-bit environments like Audition 1.5. 1. Compatibility Requirements
Plugin Version: You must use Waves V9 or earlier to run on 32-bit systems.
Operating System: Adobe Audition 1.5 was designed for Windows XP but can run on Windows 10/11 with compatibility adjustments.
Format: Audition 1.5 primarily supports the VST 2.4 format (.dll files). 2. Installation and Setup Waves plugins are a widely used suite of
To integrate Waves plugins into Audition 1.5, follow these steps:
Download Legacy Version: Use the Waves Central application to find and install older versions (V9.6 or earlier).
Locate WaveShell: Waves plugins often use a "WaveShell," a single .dll file that acts as a bridge for all installed plugins. Ensure this file is in your VST directory, typically C:\Program Files (x86)\VSTPlugins. Configure Audition: Open Adobe Audition 1.5 in Edit View.
Navigate to the Effects menu and select Refresh Effects List.
If plugins do not appear, go to Add/Remove VST Directory under the Effects menu to manually add the folder where your Waves WaveShell is located. 3. Usage and Optimization
Adobe Audition 1.5 and Waves plugins make a legendary combination in audio production history. Released in 2004, Adobe Audition 1.5
was a beloved digital audio workstation (DAW) born directly from the skeleton of Cool Edit Pro. While highly capable on its own, engineers quickly discovered that pairing its lightweight, fast workflow with the massive mathematical processing power of Waves Audio plugins
yielded professional broadcast and music mixes that still hold up decades later.
Below is an in-depth exploration of how this legendary pairing functioned, the critical technical barriers of using them, and the most iconic plugin setups used in classic chains. 🛠️ The Technical Reality: 32-Bit Architecture
To understand how Waves and Audition 1.5 interact, you must first understand the hard ceiling of legacy software architecture. The 32-Bit Ceiling:
Adobe Audition 1.5 is purely a 32-bit application. It cannot bridge, recognize, or process modern 64-bit plugins. The Waves Limit: Waves Audio
releases (like V12 through V16) are strictly 64-bit and operate via VST3. They will show up in Audition 1.5. The Sweet Spot:
To use Waves inside Audition 1.5, you have to use legacy Waves versions.
Waves Version 5 (such as the Diamond Bundle) or up to Waves Version 9 are the gold standards for 32-bit systems. The Plugin Limit:
Audition 1.5 had a native buffer/reading limit. If you try to scan a massive modern bundle with hundreds of plugins, the DAW will likely crash mid-scan or simply refuse to list them. Smaller, curated legacy bundles are necessary. 🔌 How to Install & Load Waves in Audition 1.5
Getting external software to bridge into a DAW released in 2004 requires a specific sequence of manual steps. Direct the DLL File:
When installing legacy 32-bit Waves plugins, you must ensure the files are sent to a dedicated directory (traditionally C:\Program Files\Steinberg\Vstplugins or a custom folder you create). Access the Manager: Adobe Audition , navigate to the menu at the top and select the Audio Plug-in Manager Add the Search Path: Click on the
button and point Audition directly to the folder where your legacy Waves VST files are stored. Scan for Plugins: Scan for Plugins
. Audition will freeze for a moment as it reads the math algorithms of each plugin. The Refresh:
Once finalized, the plugins will generate under your effects rack drop-down, typically labeled under a "VST" sub-directory. 🎛️ Iconic Waves Plugins for Audition 1.5 Chains
Because Audition 1.5 was heavily favored by radio broadcasters, voiceover artists, and home studio musicians, specific Waves chains became legendary in internet forums. 🎙️ 1. The Ultimate Vocal Chain
To give dry vocals that highly polished, glued "radio" or studio sound, engineers routinely loaded this specific chain order into the Audition rack: Waves Renaissance Equalizer (REQ):
Used first to roll off low-end mud (high-pass filter) and subtly boost high-end air. Waves C4 Multiband Compressor:
A masterpiece plugin. Instead of squashing the whole vocal, it allowed users to compress the booming lows and harsh mid-frequencies independently. Waves Renaissance Vox (RVox):
The ultimate cheat code for vocals. It features a simple slider that gated background noise and perfectly leveled out vocal volume with zero fuss. Waves DeEsser:
Placed near the end to tame sibilance (the harsh "S" and "T" sounds) aggravated by the compression. 🎚️ 2. The Master Bus & Finalization
For those trying to master a full song or podcast directly in Audition's multitrack or edit view: Waves SSL G-Master Buss Compressor:
Modeled after the legendary center section of the SSL 4000 G console, this was used on the master fader to "glue" separate instruments and vocals together into a cohesive song. Waves L2 Ultramaximizer:
The plugin that defined the loudness wars. Placing the L2 at the very end of your chain in Audition 1.5 allowed you to push the gain of your track to its absolute peak limit without digital clipping, delivering a punchy, commercial-grade volume. ⚖️ Audition Stock vs. Waves Plugins
Is it actually worth the massive headache of tracking down and installing legacy 32-bit Waves bundles into Audition 1.5? A direct comparison reveals the trade-offs:
Is adobe audition 1.5 good? where do I get more plug-in for it?
Integrating Waves plugins into Adobe Audition 1.5 is a bit like putting a modern turbocharged engine into a classic car. Even though Audition 1.5 was released back in 2004, it remains a favorite for many radio professionals and podcasters due to its lightning-fast workflow and low system overhead.
However, because Audition 1.5 is a 32-bit application that predates many modern VST standards, getting the latest Waves bundles to show up requires a specific approach.
Here is the ultimate guide to making these two legends work together. Understanding the Compatibility Gap Troubleshooting: If plugins crash on scan, move all
The primary challenge is that modern Waves plugins (V12, V13, V14+) are almost exclusively 64-bit, while Adobe Audition 1.5 is strictly 32-bit. Additionally, Waves uses a "WaveShell" system—a single file that contains all your plugins—which older software often struggles to "unpack" automatically.
To bridge this gap, you generally need a bit-bridge (like jBridge) or you need to be using an older, legacy version of Waves (like V9) that still supports 32-bit architecture. Step 1: Install the Correct Waves Version
If you are trying to run the newest Waves plugins, you must ensure you have the 32-bit legacy versions installed via Waves Central. Open Waves Central. Look for Install Products and filter for Legacy Versions.
Version 9.x is generally the most stable for 32-bit environments like Audition 1.5. Step 2: Setting Up the VST Directory
Audition 1.5 doesn't always automatically find where Waves installs its files.
Note the installation path of your WaveShell-VST.dll. It is usually found in C:\Program Files (x86)\VSTPlugins. Open Adobe Audition 1.5. Go to Options > Scripting and VST Editor.
Click on Add and point the program to the folder containing your Waveshell. Step 3: Refreshing the Plugin List
This is where most users get stuck. Audition needs to "scan" the plugins to register them.
In the Effects tab of the Organizer window, right-click on VST Effects. Select Refresh Effects List.
If a dialog box pops up asking to locate the Waves folder, point it to C:\Program Files (x86)\Waves\Plug-Ins V9 (or whichever version you have). Step 4: Using Waves in the Multitrack vs. Edit View
Edit View: You can apply Waves plugins destructively to a single file. This is great for the L1 Limiter or Renaissance Vox to clean up a voice track quickly.
Multitrack View: You can use them as real-time inserts. However, be careful—Audition 1.5 does not have "Automatic Delay Compensation." Since modern Waves plugins introduce a small amount of latency, your tracks might drift out of sync if you use heavy processing on one track but not another. Recommended Waves Plugins for Audition 1.5
Since Audition 1.5 is often used for voice work, these three plugins are the "holy trinity" for this setup:
Waves Renaissance Vox (R-Vox): The simplest and most effective compressor/expander for radio-style vocals.
Waves L1 Ultramaximizer: Perfect for the master bus to ensure your final export hits the "loudness" sweet spot without clipping.
Waves Q10 Equalizer: A surgical EQ that is very light on the CPU, allowing you to run many instances even on older computers. Troubleshooting "The Shell" Issues
If Audition 1.5 crashes during the scan, it’s likely because it’s trying to load a 64-bit plugin. Ensure you have removed any 64-bit .dll files from the scan path. If you absolutely must use 64-bit plugins, look into jBridge, which converts 64-bit VSTs into a format 32-bit Audition can read.
By combining the classic, snappy interface of Adobe Audition 1.5 with the industry-standard processing of Waves, you create a production powerhouse that is both nostalgic and incredibly effective.
Integrating Waves Plugins with Adobe Audition 1.5 Adobe Audition 1.5, released in 2004, remains a cult favorite for its lightweight footprint and robust waveform editing. While it predates modern 64-bit architecture, it can still run professional Waves processors through its legacy VST and DirectX support. 1. Compatibility and Requirements
To use Waves plugins in Audition 1.5, you must navigate several "old-school" technical constraints: 32-bit Architecture
: Audition 1.5 is a 32-bit application. It cannot natively load 64-bit VSTs. You must install the 32-bit versions of Waves plugins. Legacy Waves Versions
: Modern Waves Central (v14/v15) often drops support for 32-bit hosts. For the most stable experience, users typically rely on Waves v9.2
or earlier, as this was the last version to offer comprehensive 32-bit support. DirectX vs. VST
: Audition 1.5 supports both formats. While VST is generally more stable, some older Waves bundles (like the Renaissance Maxx) were famously reliable in Audition via the DirectX (DX) interface. 2. The Installation and "Waveshell" Bridge Waves does not install as individual files for every plugin. Instead, it uses a The Concept : The WaveShell is a single file (e.g., WaveShell-VST 9.2.dll ) that acts as a portal to the entire Waves library. The Process Install the 32-bit Waves software. Locate the WaveShell file (usually in C:\Program Files (x86)\Waves\WaveShells to your Audition 1.5 VST folder. 3. Scanning and Loading Plugins
Once the files are in place, you must force Audition to recognize them: Open Audition 1.5 in Effects > Refresh Effects List Scan for new VST Effects
If successful, a "Waves" sub-menu will appear under your VST effects category. 4. Optimal Waves Plugins for Audition 1.5
Given the era of this software, certain Waves plugins are particularly well-suited for its workflow: L1/L2 Ultramaximizer
: The gold standard for quick mastering and peak limiting in the Edit View. Renaissance Vox (R-Vox)
: Ideal for the radio-style vocal processing often done in Audition. Q10 Equalizer
: A low-latency surgical EQ that doesn't tax the older CPUs typically running version 1.5. Waves DeEsser
: Essential for cleaning up vocal recordings before final mixdown. 5. Troubleshooting Common Issues "Plugin Not Found"
: If Audition crashes during a scan, it is often due to a 64-bit/32-bit mismatch. Ensure no 64-bit shells are in the scan path.
: Audition 1.5 does not have sophisticated automatic delay compensation. Heavy Waves plugins (like the Linear Phase EQ) may cause sync issues in Multitrack mode. Admin Rights
Critical Note: Adobe Audition 1.5 was released in 2004. It is a 32-bit application. Waves plugins from that era (Waves V5, V6, V7) are also 32-bit. Modern 64-bit Waves plugins will not work. This guide assumes you have legacy 32-bit Waves Shells installed.
The short answer is yes, but with specific limitations.
Adobe Audition 1.5 is a 32-bit application. It does not support 64-bit VST plugins natively. Fortunately, Waves has a long history of supporting legacy formats.